Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
We lost Crimea. That is very clear. Putin proved he was not lying when he said he would place women and children ahead of his soldiers to storm Ukrainian military bases. Russian soldiers did exactly that with women (some who volunteered and some who were forced). Russia now occupies all…
Sound is an indicator of life and energy. “Sound signals the present use of power, since sound must be in active production to exist at all.” Things don’t have to be alive to make themselves visible, and “a primitive hunter can see, feel, smell, and taste an elephant when the…
In the most famous section of his best-known novel, Dostoevsky’s Ivan Karamazov brings forward his case against God. He opens with a horrific litany of outrages against children. Turkish soldiers make a baby laugh and then shoot a pistol into his face. A little girl is beaten, thrashed, kicked by…
At the heart of Esther Lightcap Meek's splendid Little Manual for Knowing is a concept she picked up from Michael Polanyi, "subsidiary-focal integration." The concept begins from the insight that all our knowing, all our experience, is double. We focus on something, but we are capable of "indwelling" that focal…
Jesus promises the overcomers of Pergamum "hidden manna" and a "white stone." The hidden manna is often linked with the manna stashed away in the ark of the covenant. The white stone has proved more elusive. Exodus tells us that manna was white (Exodus 16:31) and like bdellium (Numbers 11:7),…
Leviticus 23 begins with a reference to “Yahweh’s appointed times” ( mo’ade-YHWH ). Mo’ed is the common term for the feasts of Israel. A few dimensions to this term. First, it means “appointed time” or “designated time.” It is a time set by Yahweh. Yahweh has claimed certain times as…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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