Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The Blessing of the Father The narrative of the Exodus makes it clear that Yahweh is Israel’s Father. Moses is told to declare to Pharaoh that “Israel is my firstborn son, and I say to you, ‘Let my son go that he may serve me’” (Exodus 4:22-23). In contrast to…
When reading the Old Testament, the believer faces two dilemmas. First, there is a seemingly sharp discontinuity between the universal proclamation of the gospel to the whole earth and God’s singling out of the nation of Israel. Second, the New Testament says of Jesus that “there is no other name…
John 17 contains the longest prayer that we have from Jesus, and it shows us the intimate relationship between the Father and the Son in a way that few passages do. The prayer lays out the chiastic pattern noted by Athanasius (God became man so that man could become God),…
The following meditation on the incarnation is paraphrased and quoted from Karl Barth, The Doctrine of Reconciliation (Church Dogmatics, Vol. 4, Part 1) , pp. 185ff. In the incarnation, the eternal Son of God makes His way into a far country, and takes on the form of a servant. “But…
Peter says "baptism saves you" (1 Peter 3:21). Does the New Testament teach that "baptism justifies you"? I think the answer is Yes. That's a controversial answer, and demands some defense and explanation, but first some critical qualifications. No New Testament text states "baptism justifies you," so my argument will…
In his THI article “ Son of David, Son of Abraham ,” Peter Leithart notes that Matthew's genealogy “contains a summary of redemptive history.” This statement is only too true and one that deserves further elucidation. Biblos genese ō s. The first two words of Matthew's Gospel are usually translated…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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