Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
When I wrote my commentary on Ecclesiastes A Table in the Mist I took Eccl. 11:1-2 as a reference to the risk of international trade. It sure did seem to me like a reference to Solomon’s risky trade with other nations. Israel exported grain (bread) and Solomon’s ships returned to…
When we read an alphabetical psalm in English, we miss the fact that each verse begins with a new letter of the Hebrew alphabet. I have found one way to get around this, which is for the leader to announce something relevant about each letter before reading his half of…
How does the Lord’s Supper proclaim the death of Jesus until He comes? (1 Corinthians 11:26). Historically, liturgists have attempted to locate some act in the rite of the Supper that corresponds to the death of Jesus: the fraction (breaking of bread), or the fact that bread and wine are…
These notes are posted here by request. We all now live in the age of slob worship thanks to the “sixties.” I never experienced sitting for prayer until 20 years ago. Jesus was unhappy when His disciples could not watch and pray for one hour. Today’s slob Christians complain if…
On September 11, 2001, Jesus brought judgment upon the United States of America. Following His normal procedure, He used an even more evil force to do it (Habakkuk 1-3). The warning Jesus gives throughout the Bible to those He uses to punish others is that they need to repent, or…
Because of Donald Trump, the “Birther” issue is heating up. It is not going away, and is only part of a larger cluster of issues in regard to the President. Virtually all of the relevant documents concerning who he is and where he has been, have been suppressed, at great…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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