Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
During one of my AAPC lectures I read a portion of Richard Mitchell’s provocative little book The Underground Grammarian . Here’s the portion I read: The mind is a rudderless wanderer blown here or there by any puff of breeze. If I mention watermelons, you must think of watermelons; if…
This is the donation thank-you essay for January 2008. Our studies in the Psalms go out month by month in response to donations. I’m putting this one up here as an example, and also because the version I actually mailed out contained several egregious arithmetical errors! So, here is the…
Part 1: Introduction The collapse of the Western tradition in the United States, seen in the hostility to Christianity in government and education, and the elimination of “traditional” or “canon” learning from our institutions of middle and higher learning, provides a crisis and an opportunity for serious believers at the…
While “forgiving oneself” is widely accepted in the secular world as a legitimate and needful thing to do, Christians are rightly suspicious. After all, God is the one who forgives. When we sin against other people, we need to seek their forgiveness, not our own. Nevertheless after looking at Vine’s…
This was originally published as HIStory in the column, “A Pastor’s Perspective” in Ligonier Ministrie’s Tabletalk Magazine . I am not sure of the date but it was probably published in 1999 or 2000. Quick! What’s the basic message of the Bible? Summarize it in as few words as possible…
A Brief Explanation of What a Presbytery Is & Why Pastors in Presbyterian Denominations are Members of Them A belief in the primacy of the local congregation of the Church, I think, reflects the gut feeling of most North American Evangelicals. As a result, the form of Church government universally…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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