Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
This was a newspaper column that I wrote for the Minco Millennium back in January of 2000 when I had first moved to Minco, Oklahoma to pastor First Reformed Presbyterian Church. I wasn’t able to catch the recent performance of the musical, Godspell , in Oklahoma City. However, my dad…
Awhile back, there was a big debate among Evangelicals as to whether one had to trust Jesus “as Lord” as well as “as savior. Some claimed that one could be saved by Jesus through a faith that did not involve submission to him as Lord. Others claimed that one must…
I originally wrote this a few weeks ago in April 2002 as a column in the local newspaper, The Minco Millennium under the title “Faith & Follow-Through.” Several passages in the book of Hebrews are difficult for Protestants to swallow. The author affirms the once-and-for-all work of Christ and yet…
N. T. Wright’s commentary on Romans is destined to be a classic. The introduction alone is worth the hefty price of the book — but the exegesis itself is, well, priceless. I will not attempt a full review — these are just miscellaneous thoughts and random reflections — but I…
At an inn in the town of Lystra three men sat around a corner table. All three were well-known disciples of Joshua Messiah, members of what the town called a new cult, the Way. The short gray-haired man with the enormous beard was clearly restless. “This is taking too long,”…
Recently there has been some surprising debate in some circles over where Paul summarizes his Gospel. I say “surprising” because many Evangelical Bible scholars have held, for quite some time, that Paul’s Gospel is encapsulated in Romans chapter 1, verse 3 and 4. Here is the passage in context: Paul,…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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