Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The 2002 Auburn Avenue Pastor’s Conference and the Assurance of Grace Recently, there has been some controversy over the presentations of four speakers at the Auburn Avenue Pastor’s Conference. Accusations have been made including a denial of justification by faith alone and something close enough to “baptismal regeneration” that it…
Today, many in the Reformed world view a meritorious covenant of works as essential to a proper understanding of the gospel. These theologians believe that God set up a program in the Garden by which Adam would merit eternal life and blessing by his obedience. These same theologians usually regard…
After I graduated from college in 1989, I spent a summer in the Atlanta area in Georgia learning that I was not cut out for construction work. Then I met George Grant, one of my favorite authors. He was working for a church in South Florida in charge of their…
One meaning of “righteousness” in the Bible is moral uprightness. Perhaps a more basic meaning would be faithfulness. For example, Psalm 96.13 praises God, saying: He will judge the world in righteousness, And the peoples in faithfulness. In Hebrew poetry two lines often say the same thing using different words.…
I once saw “eschatology” defined as the study of edible French snails. But it really means the doctrine of the last things in Christian theology. In American Evangelical culture it is usually reduced to science fiction stories. But for the Apostle Paul it was actually the key to the Christian…
To understand the view of Nicholas Thomas Wright regarding Christ’s work of redemption, one must begin with the centrality of Adam to the plight of the human race. Anyone who has heard Wright’s lectures on Philippians will not be able to forget his haunting appeal to Genesis 5.3 as a…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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