Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
(Genesis 37:2 – 50:26) A. Generations of Jacob, 37:2a B. Joseph hated by brothers, 37:2b C. Jacob’s discriminatory blessing, 37:3-4 D. Rule over family: vision, 37:5-11 E. Joseph seeks brothers, 37:12-17 F. Joseph "killed," 37:18-36 G. Judah’s sin, ch. 38 H. Imprisonment, though undeserved, ch. 39-40 I. Famine and Pharaoh,…
Moses and Jesus The gift of the Father is a son, but we must be ready to give our sons back to Him when it is time. The gift of the Brother is an estate, but we must be ready to give our estates back to Him when it is…
An Exposition of Chapter XXV of the Westminster Confession of Faith I. The Catholic or universal Church, which is invisible, consists of the whole number of the elect, that have been, are, or shall be gathered into one, under Christ the head thereof; and is the spouse, the body, the…
From Plato to NATO: The Idea of the West and Its Critics , by David Gress (New York: Free Press, 1998). This book came into my hands after I had finished my series of essays on Western Civilization. It is so good that I was tempted to summarize it in…
In a recent issue of the Chalcedon Report (March, 1999), R. J. Rushdoony praises Patrick Buchanan’s book The Great Betrayal (Boston: Little Brown, 1998), a defense of protectionism. Rushdoony claims that the conflict between free trade and tariffs is a religious conflict, and he is correct. Unfortunately and surprisingly, he…
Joseph and Esther The third patriarch was Joseph, and the third phase of pre-gospel history is the Restoration. We have not spent time looking particularly at the Joseph narrative heretofore, because it is different in cast from the Abraham and Jacob ones. There is no explicit promise, fulfillment, and crisis…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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