Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
As we move into the Persian period of ancient history, and try to reconcile it with Daniel’s prophecies, we need to ask some hard questions about the interpretation of the data before us. One question concerns the reliability of the Biblical witness, and beyond that a second question concerns the…
Ewa Majewska Thompson: Understanding Russia: The Holy Fool in Russian Culture Ewa M. Thompson is Professor and Chairman of the Department of German and Slavic Studies at Rice University. In this seminal study, she investigates the concept of the "holy fool" as it exists in Russian culture and civilization. While…
The most cursory glance at the history of Western literature reveals that it has been deeply influenced by the Bible. Some of the greatest classics of Western literature draw their plots, characters, and ideas largely from Scripture; Dante’s Divine Comedy and Milton’s Paradise Lost are two of the most notable…
Each time the Scriptures recount the story of Moses’ birth and deliverance from Pharaoh, reference is made to two facts about that event. First, each text points out that Moses was "beautiful." Second, each text points out that Amram and Jochebed, his parents, hid him for three months (cf. Ex.…
Click HERE for Part 1. The Message of the Covenant Can we really say that the saints presently rule the world, and always have since Noah? Look around and you can see that the wicked rule in virtually every country on earth. There are wicked civilizations that rise Babelically age…
As we saw last time , we have come to the place in the study of Biblical chronology where it seems that we are forced to abandon the Bible itself as our primary source of information. If we assume that the seventy sevens of Daniel 9:24-27 are in fact weeks…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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