Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In an earlier paper 1 I argued that the story of Jonah belongs in the book of KINGS. Jonah and the unnamed Judean prophet in 1K13 are paired by the author through literary links. The Judean prophet travels longitudinally to confront national paganism and is killed but not swallowed by…
The Scriptures have much to say about “the day.” “This is the day that the Lord has made,” sings the Psalmist (Psalm 118:24). But what exactly is the day ? Or, more broadly, what even is a day? Days make up human life like water, light, and air. There’s no…
According to the Westminster Confession of Faith 21:5, “God is to be worshipped everywhere, in spirit and truth, …” A similar phrase is found in the OPC’s Directory for Public Worship (II.6). In my experience in the OPC and other Reformed churches, the phrase is often interpreted to mean that…
Introduction In Genesis 3:16, after the fall, God said that Eve would “desire” her husband and that her husband would “rule” over her. It is popular for Christians to interpret Eve's desire as sinful, that she would try to usurp her husband's authority. Likewise, some interpret Adam's rule as sinful,…
White Western/Christian society has long discriminated against lesbians and homosexuals — ever since the days of Moses — who was neither white nor Christian, but that is beside the point — who claimed that God gave him revelation about what a man or woman is and how they should relate…
They Found a Book in a Wall, You Won’t Believe What Happens Next The secret behind the history of quiet times will make your quiet times more effective than ever. One of the enduring mysteries of American Evangelicalism is the question of the source of Quiet Times: A Handbook ,…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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