Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
After Elijah’s battered and depressed howling in the wilderness it must have seemed like the new prophet came eating and drinking. Which is a pattern we see again in the New Testament—John is explicitly identified with Elijah (Luke 1.17, Matthew 11.14), howling the truth in the wilderness that the people…
Reading Robert Conquest’s biography of Stalin 1 has opened new lines of meditation on Paul’s command in Colossians 3:9. But before turning to that, let me briefly indicate what Paul is not saying. He is not saying that there is no such thing as righteous deception, such as Jael practiced…
You won’t find wild lions today in Israel. But lions used to range much more widely than they do now, and in biblical times they were a menace that shepherds in Israel had to contend with. David did as a shepherd boy, and Amos—who “ was among the sheepbreeders of…
I would like to remedy a flaw for English speakers in the book of Genesis. A flaw that may seem innocuous, but we must remember where the devil lives...in the details. If we are to fear the Lord, it behooves our translation committees to ensure that the fearfulness of God…
While reading at my son’s baseball game this week, a mom from our school approached me and asked if I was reading Dante. I wasn’t, but our sons are both reading Divine Comedy in their sophomore literature class, so it was a reasonable question. What unfolded was a quick conversation…
In the first two essays in this series, I addressed the question of how the nations would learn about Israel’s Torah, in the second essay especially emphasizing the aesthetic aspects of Israel’s testimony. For we naturally wonder: How would people in Mesopotamia or Egypt, not to mention the rest of…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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