Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Your first born is a novelty. Everything seems special and unique. No one’s child is like yours. Then, over time, you begin to make mistakes. Some strategies don’t work on the additional personalities born into your family, or they simply don’t scale from a practical perspective. With maturity, you realize…
Could Jesus have sinned? Before answering the question, it's best to run through a couple of qualifiers. First, scripture clearly teaches He did not sin. Second, I realize the seeming futility when discussing hypothetical situations. The question of the peccability of Jesus, or Jesus's capacity to sin, is in reality,…
The first time I saw the inside of a prison was in 1999; I was 16. I hadn’t knocked over a fruit stand or been caught stealing hubcaps, I was just an unsuspecting teenager playing piano for a Louisiana gospel group. One Wednesday evening in October, my pastor and leader…
The act of naming carries a lot of weight in the Bible. Naming denotes authority and possession; the namer signifying that he understands the thing named, and therefore possesses the requisite wisdom to rule over it. God set the stage for naming when he named the domains during the first…
This short essay makes an obvious point: Church growth is a matter of the rate of entry into a church relative to the rate of exit from that church. Perhaps church growth literature has long recognized that fact. Yet given the greater focus in church – at least in my…
If you’ve not yet heard of Aaron Renn’s three worlds framework , here’s the quick version: once upon a time, being a Christian was a net social good in American society. Whatever was going on behind the scenes in elite institutions, the general rank-and-file perception of Christianity was positive. That…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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