Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
One common trope which is regularly invoked in current debates about the defensibility versus the danger of Christian engagement with critical theories (or, species of Critical Theory) is the idea of “ eating the meat but spitting out the bones .” Usually not far behind is a nod to the…
I am writing about the book of Proverbs in the Bible and “Eschatology.” I don’t refer only to the end of time, or “last things” that will happen in history before it ends as we know it. I am referring to all times of God’s judgment wherein He ends an…
“Unity” is the word of the day. In his inaugural address, Joe Biden invoked St. Augustine to inspire Americans to come together around certain shared values. As others have recently argued, Biden misreads Augustine in important ways. My argument here is that if we seek political unity and civic health…
This is part two of a series which began here ( The Half Shekel Temple Tax ) in which I answer back, hoping not to rebut but to glorify, some observations Peter Leithart made in a thought-provoking piece about the Temple Tax as atonement ( Atonement Money ). Adding economic…
It is now commonplace to characterize Wokeness (or “ Wokeism ”) as a religion , or at least religion-like . What I would like to explore is an elaboration on this emergent consensus, supplementing it with some theological analysis. Wokeness, I propose, is a form of post-Protestant neopaganism. It resembles…
Science Fiction movies often retell old stories and myths with greater impact for modern people. A being from another world or a technologically advanced human can embody an ancient god or demon and viewers are suddenly unwittingly enthralled by Ur tales that emerged from hundreds of years of human experience.…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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