Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Not long ago, I heard these statistics about New York City: New York City is in $100 billion in debt. 20% of all NYC residents are on food stamps, which cost $250 million a month. 5% of NYC population are on disability, costing $252 million a month. Other assistance costs…
1. All political power is ambivalent. Vertical violence of “the state” tends to limit horizontal and contested power between people and between tribes. “The State” brings new oppression, but also a measure of new peace and unity. 2. All political formations are ambiguous like this: a strong family conquers weaker…
Gnosticism by any other name would smell the same. But does the church have much of a theological sense of smell, these days, when it comes to the seductions of virtuality in our worshipping communities? Social isolation during a global pandemic makes good public health sense, but whether church should…
It is a remarkable thing, you know, this thing called priority. Just a few weeks ago, religious leaders were boldly asserting in their high-dollar online videos that it was too dangerous to return to worship and that we needed to listen to our political and health leaders. "They are the…
Somewhere in the city of Jerusalem on a rooftop just a few years after the ascension of Jesus and the outpouring of the Spirit on Pentecost. . . ". . . and just when are you guys going to live up to your ‘Sons of Thunder’ reputation? Huh? A lot…
In my book, Solomon Says: Directives for Young Men ( Amazon , Kindle ) I mention that Solomon portrays wisdom as a woman. But I don’t ask (or answer!) why he did so. Solomon uses the figure of Lady Wisdom without apology or explanation: Wisdom cries aloud in the street,…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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