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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Romans

A Pathway into Romans, Addendum

An addendum to the earlier post on Romans. In my first essay, I pointed out how the role of the sin of Joseph’s brothers in bringing about Joseph’s exaltation in Egypt, and the resulting salvation of the world from famine, might show us and explanation to some of the distinctive…

by Mark HorneMarch 7, 2013
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Romans

A Pathway into Romans

When Paul wrote to the Romans, he was obviously writing a missionary support letter of a sort. One can read Romans 1.15 and then jump into 15.23 (“[S]ince I no longer have any room. . . .) without losing virtually any coherence. Yet into this letter he “dropped,” as it…

by Mark HorneMarch 5, 2013
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Biblical Studies

Mapping of Time

The Westminster Confession says that each passage has one meaning , not many, and that gets picked up on by lots of people who are suspicious of and do not like typological readings of Scripture. I will defer to wiser and more learned heads than mine as to exactly what…

by Richard BledsoeMarch 1, 2013
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John

How Jesus Saved the World | (Part 2)

By arresting, torturing, and killing Jesus, the authorities thought that they were securing well being and peace again in their society by means of the tried and true method of a single-victim scapegoat. Everyone’s thirst for violence will be satisfied and we can get on with the business of everyday…

by Jeff MeyersFebruary 28, 2013
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Ecclesiology

A Vision of Social Harmony

This is the second in a series of essays on "Continuing the Reformation." In his important though sadly unavailable book, Calvin's Doctrine of the Church (Brill, 1970), Benjamin Charles Milner argues persuasively that in Calvin's view God's perfect order for His creation, an order that was to grow and develop…

by James B. JordanFebruary 25, 2013
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Theopolis News

Jordan Lectures

Trinity House Fellow James Jordan recently gave a series of lectures in London on how to read the Bible. They are available online at NorthLondonChurch.org .

by Peter LeithartFebruary 24, 2013

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Literature

Courtly Shakespeare, II

To one of his servant, Shakespeare’s Macbeth says, “The devil damn thee black, thou cream-faced loon!” Davenant’s says, “Now, Friend, what means thy change of Countenance?” And for the wonderful surging lines in Macbeth 2.2.58-61 (including “the multitudinous seas incarnadine”), Davenant substituted the much weaker “can the Sea afford/ Water…

September 28, 2006
Literature

Courtly Shakespeare

Michael Dobson notes ( Shakespeare: An Illustrated Stage History ) that the restoration of drama in 1660 was not really a restoration but a re-creation, involving “a transformation of the London theatre, carried out by royal warrant” tht “forever altered the relationship between drama and the state, the design and…

September 28, 2006
Economics

Elegant dress

In his Theory of the Leisure Class , Thorstein Veblen notes that it is good if it shows that “the wearer can afford to consumer freely and uneconomically,” but beyond that should “make plain to all observers that the wearer is not engaged in any kind of productive labor.” Elegant…

September 27, 2006
Literature

Bowdlerized Shakespeare

In the Edinburgh Review notice regarding the publication of Bowdler’s Family Shakespeare (1821-22), Francis Jeffrey, Lord Rector of the University of Glasgow, praised the edition for meeting the needs of decent people everywhere: “Now it is quite undeniable, that there have been many passages in Shakespeare, which a father could…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006

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