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Hermeneutics

The Structure of the Joseph Narrative

(Genesis 37:2 – 50:26) A. Generations of Jacob, 37:2a B. Joseph hated by brothers, 37:2b C. Jacob’s discriminatory blessing, 37:3-4 D. Rule over family: vision, 37:5-11 E. Joseph seeks brothers, 37:12-17 F. Joseph "killed," 37:18-36 G. Judah’s sin, ch. 38 H. Imprisonment, though undeserved, ch. 39-40 I. Famine and Pharaoh,…

by James B. JordanJanuary 4, 1999
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Exodus

Crisis Time: Patriarchal Prologue, Part 5

Moses and Jesus The gift of the Father is a son, but we must be ready to give our sons back to Him when it is time. The gift of the Brother is an estate, but we must be ready to give our estates back to Him when it is…

by James B. JordanJanuary 4, 1999
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Ecclesiology

Of The Church

An Exposition of Chapter XXV of the Westminster Confession of Faith I. The Catholic or universal Church, which is invisible, consists of the whole number of the elect, that have been, are, or shall be gathered into one, under Christ the head thereof; and is the spouse, the body, the…

by Mark HorneDecember 5, 1998
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Biblical Horizons

From Plato to NATO: The Idea of the West and Its Critics

From Plato to NATO: The Idea of the West and Its Critics , by David Gress (New York: Free Press, 1998). This book came into my hands after I had finished my series of essays on Western Civilization. It is so good that I was tempted to summarize it in…

by James B. JordanDecember 4, 1998
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American Politics

Buchanan and Free Trade

In a recent issue of the Chalcedon Report (March, 1999), R. J. Rushdoony praises Patrick Buchanan’s book The Great Betrayal (Boston: Little Brown, 1998), a defense of protectionism. Rushdoony claims that the conflict between free trade and tariffs is a religious conflict, and he is correct. Unfortunately and surprisingly, he…

by James B. JordanDecember 4, 1998
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Esther

Crisis Time: Patriarchal Prologue, Part 4

Joseph and Esther The third patriarch was Joseph, and the third phase of pre-gospel history is the Restoration. We have not spent time looking particularly at the Joseph narrative heretofore, because it is different in cast from the Abraham and Jacob ones. There is no explicit promise, fulfillment, and crisis…

by James B. JordanDecember 4, 1998

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Literature

Courtly Shakespeare, II

To one of his servant, Shakespeare’s Macbeth says, “The devil damn thee black, thou cream-faced loon!” Davenant’s says, “Now, Friend, what means thy change of Countenance?” And for the wonderful surging lines in Macbeth 2.2.58-61 (including “the multitudinous seas incarnadine”), Davenant substituted the much weaker “can the Sea afford/ Water…

September 28, 2006
Literature

Courtly Shakespeare

Michael Dobson notes ( Shakespeare: An Illustrated Stage History ) that the restoration of drama in 1660 was not really a restoration but a re-creation, involving “a transformation of the London theatre, carried out by royal warrant” tht “forever altered the relationship between drama and the state, the design and…

September 28, 2006
Economics

Elegant dress

In his Theory of the Leisure Class , Thorstein Veblen notes that it is good if it shows that “the wearer can afford to consumer freely and uneconomically,” but beyond that should “make plain to all observers that the wearer is not engaged in any kind of productive labor.” Elegant…

September 27, 2006
Literature

Bowdlerized Shakespeare

In the Edinburgh Review notice regarding the publication of Bowdler’s Family Shakespeare (1821-22), Francis Jeffrey, Lord Rector of the University of Glasgow, praised the edition for meeting the needs of decent people everywhere: “Now it is quite undeniable, that there have been many passages in Shakespeare, which a father could…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006

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