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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Judges

Book Review: E. John Hamlin, At Risk in the Promised Land: A Commentary on the Book of Judges

E. John Hamlin, At Risk in the Promised Land: A Commentary on the Book of Judges International Theological Commentary. Grand Rapids: Eerdmans, 1990. For anyone who has developed a taste for the rich biblical theology of Meredith Kline, James B. Jordan, Vern Poythress, and others, it is difficult to find…

by Peter LeithartJuly 17, 1993
Exodus

The Rock That Followed Them

". . . and all drank the same spiritual drink, for they were drinking from a spiritual rock that followed them; and the rock was Christ" (1 Corinthians 10:4). Paul’s passing comment about the rock that followed the Israelites in the wilderness has often been treated as a bit of…

by Peter LeithartJuly 17, 1993
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Biblical Studies

Elijah and Moses

Several months ago, my brief article entitled "Elijah’s Exodus" was published in Biblical Horizons . Since that time, further study has made it evident that Elijah’s exodus in 1 Kings 17 is part of a larger pattern in which Elijah’s ministry closely parallels Moses’. The following parallels are evident: Elijah…

by Peter LeithartJuly 17, 1993
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Exodus

The Footstool of His Feet

The translation and theology of the Hebrew term kapporet have long been puzzling to scholars. On the translation of the term, I have nothing new to offer. I wish instead to concentrate on the theological symbolism of the kapporet . The kapporet was the solid gold slab that laid "above"…

by Peter LeithartJune 17, 1993
Exodus

A Note on Exodus 22:31

Peter Leithart's article entitled " Prey in My House" pointed out that tearing flesh is a sign of kingly rule and dominion, and that God is portrayed as the Lion-King who tears flesh. The tithe brought to God’s house provides the money for the torn flesh of the sacrifices offered…

by James B. JordanJune 4, 1993
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Biblical Chronology

Jubilee (Part 3)

The Seventy Years of Sabbaths 2 Chronicles 36:20-21 reads: "And those who had escaped from the sword he carried away to Babylon; and there they were slaves to him and to his sons until the rule of the kingdom of Persia, to fulfill the word of Yahweh by the mouth…

by James B. JordanApril 4, 1993

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Literature

Courtly Shakespeare, II

To one of his servant, Shakespeare’s Macbeth says, “The devil damn thee black, thou cream-faced loon!” Davenant’s says, “Now, Friend, what means thy change of Countenance?” And for the wonderful surging lines in Macbeth 2.2.58-61 (including “the multitudinous seas incarnadine”), Davenant substituted the much weaker “can the Sea afford/ Water…

September 28, 2006
Literature

Courtly Shakespeare

Michael Dobson notes ( Shakespeare: An Illustrated Stage History ) that the restoration of drama in 1660 was not really a restoration but a re-creation, involving “a transformation of the London theatre, carried out by royal warrant” tht “forever altered the relationship between drama and the state, the design and…

September 28, 2006
Economics

Elegant dress

In his Theory of the Leisure Class , Thorstein Veblen notes that it is good if it shows that “the wearer can afford to consumer freely and uneconomically,” but beyond that should “make plain to all observers that the wearer is not engaged in any kind of productive labor.” Elegant…

September 27, 2006
Literature

Bowdlerized Shakespeare

In the Edinburgh Review notice regarding the publication of Bowdler’s Family Shakespeare (1821-22), Francis Jeffrey, Lord Rector of the University of Glasgow, praised the edition for meeting the needs of decent people everywhere: “Now it is quite undeniable, that there have been many passages in Shakespeare, which a father could…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006
History

The Good Old Days…

when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an American actor of populist style and…

September 27, 2006

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