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Luke

Table Talk

Along His journey to Jerusalem, Jesus stops frequently to have meals, three times with Pharisees (7:37-50; 11:37-54; 14:1-35). Meals were central to Jesus’ ministry. He comes “eating and drinking” (Luke 7:34). While His meals are not just for refreshment, they are opportunities for teaching the protocols of the kingdom. Meals…

by Peter LeithartApril 19, 2016
music-violin
Biblical Theology

A Musical Case for Typological Realism, (Part 4)

Time as a realm of participation can be difficult for us imaginatively to grasp. While music is a profoundly temporal art, exploring the medium of time like no other, most of our temporal experience seems decidedly unmusical in character, disjointed and unorchestrated. The form in which we naturally discover time…

by Alastair RobertsApril 14, 2016
John

Jesus' Burial Clothes

John devotes much attention to Jesus’ burial clothes. He tells us that Nicodemus brought about a hundred pounds of myrrh and aloes to spice Jesus body, and that He was bound in linen wrappings. We find out that His body and His head were wrapped separately. (John 19:39-40; 20:6-7). When…

by James B. JordanApril 12, 2016
clock
Biblical Theology

A Musical Case for Typological Realism, (Part 3)

Thinking about time in terms of music also helps us to appreciate its unity and inner relations. Henri Bergson observes our cultural habit of dividing time into discrete moments, and conceiving of these as if akin to objects in a spatial succession. [1] Against such a notion, Bergson argues for…

by Alastair RobertsApril 7, 2016
screen-shot-2016-03-31-at-9-32-11-am
Biblical Theology

A Musical Case for Typological Realism, (Part 2)

As we attend to these and other aspects of music’s temporality, Begbie suggests, we will find means by which to resist some of our habitual modern ways of conceptualizing time, most especially our tendency to conceive of time as if it were a homogeneous set of technologically quantifiable units laid…

by Alastair RobertsMarch 31, 2016
biblioteca-vasconcelos-crop
Biblical Theology

Systematic Typology (Part Three)

The Hidden Dimension In many fields of scientific study, the apparent complications and contradictions are dispelled once the internal logic is perceived. Biblical hermeneutics is no different, since the author of Creation is the Author of the Word. The Bible’s literary labyrinth radiates organically from an algorithm so simple it…

by Mike BullMarch 29, 2016

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Jerusalem, Jerusalem

Jerusalem is named 13x in Matthew’s gospel, the last of them in 23:37 where the name is doubled in Jesus’ lament (the city’s name is spelled differently in 23:37). Both at the beginning and end, Jerusalem is troubled by the coming of Jesus: All Jerusalem is upset with Herod at…

June 29, 2006

Reject Disciples, Reject Jesus

Matthew mentions Sodom three times - in 10:15 and twice in 11:23-24. In the second, He says that the cities that have refused to repent when He did miracles will be judged more harshly than Sodom; in the first, He says that those who reject His disciples will be subject…

June 29, 2006
Literature

Updike’s Terrorist

James Wood is always illuminating, but never more so than when he’s giving a book a sharply negative review, as he does with Updike’s recent Terrorist (reviewed in TNR July 3). My favorite line: “When Ahmad [the terrorist of the title] speaks, he sounds like V. S. Naipaul; but when…

June 29, 2006
Literature

Updike’s Terrorist

James Wood is always illuminating, but never more so than when he’s giving a book a sharply negative review, as he does with Updike’s recent Terrorist (reviewed in TNR July 3). My favorite line: “When Ahmad [the terrorist of the title] speaks, he sounds like V. S. Naipaul; but when…

June 29, 2006

Rabbi Jesus?

It’s a commonplace of liberal theology that Jesus is a great teacher, but no more. Jesus is certainly a teacher in Matthew’s gospel, but David Bauer points out that the only people who call him rabbi are strangers or opponents (8:19; 12:38). Oh, yes, and Judas (26:25, 49). Disciples, those…

June 29, 2006
Literature

Disguise

Louis Dupre writes, “Shakespeare’s comedies, the accomplished masterpieces of this playful oscillation [between appearance and reality], leave the viewer utterly confused about what must count as real and what as illusion. The theatre here parodies a real-life fear of deception concerning the true nature of the outside world. The constantly…

June 28, 2006

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