Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In the Bible, fatness is such a blessing, that it is especially hard to understand why wicked men are permitted to enjoy such a state. It requires a theodicy and faith in God. Thus: “For they have no pangs until death; their bodies are fat and sleek . They are…
[fve]http://vimeo.com/71901553[/fve]
The allusion to the Exodus story is contained in the first words of Deuteronomy 14:1 — “ye are the sons of Yahweh your God” — as well as in 14:2 in the use of the technical term translated “treasured possession,” “His own possession,” “peculiar people,” “precious people,” and so forth.…
I have argued that Deuteronomy 14:1-21 is an independent literary unit that applies the Third Word to the lives of Israelites from the time of Moses and Joshua. In this short pericope, Moses suggests broad and deep meaning by means of literary allusion to the stories of the creation and…
In his recently republished The New Creation , the late, delightful Herbert McCabe defends the priesthood of the plebs as roundly as anyone could want. Citing Hebrews, he claims that "there is an essential difference between the Christian community and the community of the Old Law, or any other religious…
Augustine famously prayed, “Our hearts our restless until they rest in You.” True indeed. Being creatures, we inherently sense our ontological poverty—our innate condition of dependence—and are compelled to find a sense of security. And it is also true—as Augustine’s own narrative painfully illustrates—that one of the things we most…
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Kumar notes that the 1960s counter-culture set itself against everything in modernism: “Pop art and pop music, the ‘new wave’ in cinema and the ‘new novel’ in literature, thne elision of the boundaries between ‘art’ and ‘life,’ the cultivation of sensibility through sex and drugs rather than aesthetic contemplation of…
In a 1965 essay, Leslie Fiedler celebrated the new movements of the 1960s as post-modern, post-Freudian, post-Humanist, post-Protestant, post-white, post-male.
Kumar suggests that there is no useful distinction to be made between postmodernity as a socio-political concept and postmodernism as a cultural concept. All the instincts of postmodernists are against such a differentiation of spheres. For postmodernists, it is no longer useful to distinguish subsystems within the social world -…
Kumar defines modernism as an intellectual, cultural and artistic revolt against modernity. Yet modernism itself, especially as expressed in architecture, was complex and racked with internal contradictions: “It could denounce the ‘inauthentic’ present in the name of the future, as in Futurism and Constructivism; and it could with equal force…
At least two: The modernity of science and technology, the factory system and city planning, of bureacracy and management. And on the other hand the modernity of sensibility, literature, hedonism, the lust for ever-new experience. On the one hand, Industrialization; on the other, the Romanticism that challenged it. On the…
“Constant revolutionizing of production, uninterrupted disturbance of all social conditions, everlasting uncertainty and agitation . . . All fixed, fast-frozen relationships . . . are swept away, all new-formed ones become antiquated before they can ossify.” Zygmunt Bauman? No: Marx and Engels, in the Communist Manifesto .
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