Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
What happens at the Table of the Lord? If Christ is really present, then how is this so? The witness of the Church throughout history has been that Christ is present in the Eucharist through the operation of the Holy Spirit, and in the practice of the Church, prayers at…
In the power of the Spirit, the gospel forms a society in which there is neither Jew nor Greek, slave nor free, a society that is characterized by unity, long-suffering, patience; love. The gospel forms a culture whose participants do not steal but labor and give, who are not angry…
At the 1997 Biblical Horizons Summer Conference, the Rev. Jeffrey Meyers presented a series of remarkable lectures on the gospel of Mark. Among his many insightful comments, he suggested that the second gospel continues where the first gospel ends; Matthew ends with Jesus saying "Go" (Matthew 28:19), and Mark’s shows…
On October 25 at Avondale Brewery , Theopolis will be co-sponsoring the 2nd Annual Birmingham Life and Culture Series. This year's event will feature author Joseph Bottum. Joseph is known for his writings on literary criticism, religion, and his short stories. Essayist and reviewer Mary Eberstadt has said that "his…
One of the curiosities of the New Testament revelation is its focus on Galilee. The region of Galilee was given to Asher, Zebulun, Naphtali, and Issachar, and the events of Judges 4-8 occurred there, so it had some importance in Israelite history. But when the tribe of Ephraim led the…
In a recent post , Ian Paul discusses the practice of allegorical interpretation, reflecting in particular upon a conversation he had with someone concerning the reading of the story of Rahab. Paul’s interlocutor argued strongly for an allegorical reading of the Rahab story, writing: “Joshua is a type of Christ…
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Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
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