Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
We lost Crimea. That is very clear. Putin proved he was not lying when he said he would place women and children ahead of his soldiers to storm Ukrainian military bases. Russian soldiers did exactly that with women (some who volunteered and some who were forced). Russia now occupies all…
Sound is an indicator of life and energy. “Sound signals the present use of power, since sound must be in active production to exist at all.” Things don’t have to be alive to make themselves visible, and “a primitive hunter can see, feel, smell, and taste an elephant when the…
In the most famous section of his best-known novel, Dostoevsky’s Ivan Karamazov brings forward his case against God. He opens with a horrific litany of outrages against children. Turkish soldiers make a baby laugh and then shoot a pistol into his face. A little girl is beaten, thrashed, kicked by…
At the heart of Esther Lightcap Meek's splendid Little Manual for Knowing is a concept she picked up from Michael Polanyi, "subsidiary-focal integration." The concept begins from the insight that all our knowing, all our experience, is double. We focus on something, but we are capable of "indwelling" that focal…
Jesus promises the overcomers of Pergamum "hidden manna" and a "white stone." The hidden manna is often linked with the manna stashed away in the ark of the covenant. The white stone has proved more elusive. Exodus tells us that manna was white (Exodus 16:31) and like bdellium (Numbers 11:7),…
Leviticus 23 begins with a reference to “Yahweh’s appointed times” ( mo’ade-YHWH ). Mo’ed is the common term for the feasts of Israel. A few dimensions to this term. First, it means “appointed time” or “designated time.” It is a time set by Yahweh. Yahweh has claimed certain times as…
Showing page 177 of 309
Showing page 39 of 43
Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
Showing page 1883 of 2212
Your weekly digest for all things Theopolis.
