Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
God is a righteous judge, And a God who has indignation every day. If a man does not repent, He will sharpen His sword; He has bent His bow and made it ready (Psalm 7.11, 12). David’s inspired lyrics do not sound very encouraging to modern ears–especially to modern Christian…
The story of the Good Samaritan (Lk. 10:25-37) is one of the best known and most loved of Jesus’ parables. I am not going to attempt to exegete the passage, as that has been done admirably and ably by others. Rather, I want to briefly examine what bearing the passage…
In Romans 2.6-16, Paul writes, He will render to each one according to his works: to those who by patience in well-doing seek for glory and honor and immortality, he will give eternal life; but for those who are self-seeking and do not obey the truth, but obey unrighteousness, there…
It was still dark as David approached the crest of the little ridge. The eastern horizon was not even gray. It was early. But he knew this trail well. Every morning before dawn and every evening before dark, he would walk down to the well and carry water back to…
The theme of Romans is the righteousness of God (Rom. 1:16-17). That is to say, Romans is something of a theodicy. Paul is defending God’s covenant faithfulness, particularly in light of Jewish unfaithfulness. How does it work? Without getting into exegetical details, we can still sketch out the big picture.…
The New Perspective on Paul (NPP) is a loosely defined movement held together primarily by a common understanding of Second Temple Judaism. All NPP theologians basically adhere, with varying degrees of intensity and consistency, to Ed Sanders’ claims with regard to the nature of pre-70 A.D. Judaism. Sanders has sought…
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Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
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