Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
To begin with the source of this narrative: Since no human being was present to observe these events, we must assume that this narrative was revealed directly by God to a human author. There are three ways this might have happened. First, we might read, "God said to Abraham (or…
The Empire Strikes Back is a movie most of us have seen more than once. It is generally regarded as the best of the three Star Wars films, which is probably due to the fact that unlike the other two, The Empire Strikes Back made use of the services of…
Now that we have examined three unacceptable approaches to the events recorded in Genesis 1, it is only fair for me to set out what does seem to be recorded there. To begin with the source of this narrative: Since no human being was present to observe these events, we…
Two books on the "Bible Code" have appeared this year. The first, a current bestseller, is Michael Drosnin’s The Bible Code (Drosnin, 1997). The other is Cracking the Bible Code (William Morrow, 1997), by Jeffrey Satinover, known to Christians for his outstanding 1996 book Homosexuality and the Politics of Truth…
Part 1: Introduction The collapse of the Western tradition in the United States, seen in the hostility to Christianity in government and education, and the elimination of "traditional" or "canon" learning from our institutions of middle and higher learning, provides a crisis and an opportunity for serious believers at the…
A Brief Defense of John Murray’s “the Free Offer of the Gospel,” & A Question About the Extent of the Atonement John Murray (1898-1975) is probably the last of the great American theologians; he belonged in the same set as that which contains such eminent Presbyterians as Charles Hodge and…
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Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
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