Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In Genesis One, God told Adam and Eve to "be fruitful and multiply, and fill the earth, and subdue it; and rule over the fish of the sea and over the birds of the heavens, and over every living thing that moves on the earth" (Gen. 1:28). In Christian worldview…
"And I also way to you that you are Peter, and upon this rock I will build My church; and the gates of Hades shall not overpower it" (Matthew 16:18). Matthew 16:13ff. has historically been one of the most oft-cited passages of Scripture. Throughout the Middle Ages, it was used…
One of the important themes of the synoptic gospels is Jesus’ rejection of Israel and the transfer of God’s favor to the New Israel, the Church. A clear statement of this theme is found in the parable of the vineyard owner in Matthew 21:33-46. Jesus explained the meaning of the…
11. There is a type of person [a generation] who curses his father, And does not bless his mother. 12. There is a type who is pure in his own eyes, Yet not washed from his filthiness [manure]. 13. There is a type — oh how lofty are his eyes!…
Under the Levitical law, whole-burnt offerings from the herd and flock had to be male. No such specification is made with respect to birds (cf. Lev. 5:7-10). Why did the Lord demand that only males be offered as whole-burnt offerings? The easy answer is that the whole-burnt offering typified Christ,…
Matthew 2:13-23 has a tripartite structure, reporting briefly three events of the early years of Jesus’ life. Matthew ends his narrative of each event with a "fulfillment formula." Jesus’ flight to Egypt and His Exodus back into Israel was a fulfillment of Hosea’s words, "Out of Egypt I call my…
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Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
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