Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
If you’re a preacher looking for good commentaries on Ezra, you’ll struggle. Certainly to find ones that wrestle in good detail with the text. And certainly ones that don’t cost you an arm and a leg. There’s a good bit more for Nehemiah, which is odd, as the two are…
Quick thought experiment: try to pretend you’ve never read 1 John before. Read 1:1-6. Go ahead; I’ll wait. Now, on to v. 7: “But if we walk in the light as He is in the light, we have fellowship with ______….” What word would you expect in that blank, based…
In my work as a Bible translator, I was recently checking our translation team’s draft of Genesis 8:8, which says of Noah (translating the Hebrew quite literally): And he sent out the dove from with him to see: had the waters lessened from upon the face of the ground? Part…
Just in case a reader may not know Weinberg, he is a theoretical physicist and the winner of the Nobel prize in physics in 1979, as well as countless other prizes for his research. He is also a prolific, lucid, and captivating writer. If you want to read something on…
Colossians 1:15-20 is a famous passage in Paul’s epistles because it is a succinct and powerful poem. It appears even to have been a hymn. Given the uniquely Pauline language — “reconciliation” is a term used only by Paul — it should not seem odd to attribute the poem/hymn to…
Stalker (1979) is a film by Andrei Tarkovsky based on Roadside Picnic by the Strugatsky brothers. It shows a day from the life of a stalker, a man who enters the so-called "Zone", an Alien landing site, where he leads people to a room that grants people’s innermost desires, which…
Showing page 55 of 309
Showing page 39 of 43
Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
Showing page 1883 of 2212
Your weekly digest for all things Theopolis.
