Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
C. S. Lewis tackled what is perhaps the most difficult and oft-heard objection to the Christian God in his classic, The Problem of Pain. 1 “If God were good,” Lewis restates the problem, “He would wish to make His creatures perfectly happy, and if God were almighty, He would be…
There is nothing incongruous about assuming that Jesus lamented over His people on three separate occasions and that on two of those occasions, He expressed Himself in almost identical language. Two lamentations are recorded in the Gospel of Luke and are clearly marked as distinct. They are also expressed in…
In the Anglican Church in North America, the question of women’s ordination to the priesthood continues to be discussed with each diocese left to decide its own practice. A recurring point of debate is how we are to understand the priest’s representative role in the liturgy. Emily McGowin, in a…
The Theopolis Institute recently added two new members to its Board of Directors, Josh Rollins and Sarah Moore. Josh has recently served as Senior Vice President of Corporate Development for MeTEOR Education, and was previously Chief Financial Officer at MeTEOR. He brings a wealth of finance experience, and will take…
Since moving to Englewood, Colorado, I have been blessed to be involved in the nuts-and-bolts practice of Church unity. The pastors here talk about the One Church in Englewood, and mean it. They love each other, pray fervently for each other, and long for the unity they enjoy to spread…
One day, the author Samuel Clemens cut himself shaving. He was an inveterate foul-mouth and on this occasion recited the entirety of his iniquitous vocabulary. When he was finished, his wife, hoping to shock him, repeated every word he said. Clemens responded, "You have the words, dear, but you don't…
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Featherstone: “one of the characteristics of postmodern art in the 1960s was its attack on institutionalized art: on the museums and galleries, the critical academic hierarchies of taste, and the consecration of works of art as clearly demarcated objects of display. This attack on autonomous, institutionalized art was itself not…
Charles Jencks lamented in his Language of Postmodern Architecture that the term had been used in ways opposite to his own usage: “When I first wrote the book in 1975 and 1976 the word and concept of Post-Modernism had only been used with any frequency in literary criticism. Most perturbing,…
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life (the expressive aestheticization of life, art as the good of life).”
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging established patterns of social and cultural life, it is worth…
The Modernday Dictionary of Deceived Ideas offers this definition of postmodernism “This word has no meaning. Use it as often as possible.” Mike Featherstone, who quotes this dictionary, offers a more serious discussion of what postmodernism means when applied to artistic movemements. He gives this summary of the sensibility of…
INTRODUCTION Waltke proposes the following structure for chapter 13. 13:1 is an introductory verse that picks up on the exhortations of the prologue to listen to the father’s instruction. There is a multiple inclusion around the chapter. The “discipline” of v. 1 is taken up in v. 24, and the…
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