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Judges

The Jephthah-Jesus Connection

Why there is more to Jephthah than meets than eye It was not that long ago that I realized the Jephthah-story and the Jesus-story were basically the same story. Sounds crazy, I know. But here is a one-paragraph synopsis of both: The people of God have gone their own way,…

by Eric RobinsonDecember 27, 2018
nativity-2
Advent

Jesus Rejoiced

G.K. Chesterton famously said that the Gospels don’t reveal Jesus’ mirth. It’s true we never catch Jesus laughing. But can we believe He never did? I don’t think so. Laughter is human, and Jesus was fully human. Jesus promised that those who mourned would laugh. He mourned; would He not…

by Peter LeithartDecember 25, 2018
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Advent

New Exodus

Matthew 2 has all the elements of an exodus story. There’s a murderous king, who slaughters Jewish babies. There’s a infant who will be Israel’s future deliverer, saved from the murderous king so He can later return to save His people and lead them to the Promised land. There’s an…

by Peter LeithartDecember 20, 2018
tpc-worship
Church Calendar

Is the Church Calendar Desirable?

The calendar of Israel was primarily theological, centered on commemorating the salvific acts of God, but also agricultural, celebrating the creation-restoring effects of those salvific acts. The feasts of the first month celebrated the reviving of the world in the Spring, and typified the cutting off of the Savior in…

by James B. JordanDecember 18, 2018
hebrew-manuscript-2
Chiasm

Chiasms and Life

The chiastic shape corresponds to the shape of human life. This should not surprise us, because we are made in the image of God, and God is manifest in Word and Spirit. If we are living epistles, our lives will look a bit like the literary shape of the books…

by James B. JordanDecember 14, 2018
sailing-shop-storm-crop
Biblical Theology

Boat Stories

Back in January, Venkatesh Rao wrote a fascinating post on the Ribbonfarm blog, discussing different forms of models of narrative. Engaging with Ursula LeGuin’s talk ‘The Carrier Bag Theory of Fiction’ , Rao explores her contrast between the (male) ‘hero narrative’ and the (female) ‘carrier-bag story’, and suggests a third…

by Alastair RobertsDecember 11, 2018

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Uh, oh, they’re on to us

In the course of a screed of breathtaking condescension against large families, religion, and conservatism, SFGate.com columnist Mark Morford inadvertently stumbles upon an insight: “Why does this sort of bizarre hyperbreeding only seem to afflict antiseptic megareligious families from the Midwest? In other words — assuming Michelle and Jim Bob…

October 27, 2005

Uh, oh, they’re on to us

In the course of a screed of breathtaking condescension against large families, religion, and conservatism, SFGate.com columnist Mark Morford inadvertently stumbles upon an insight: “Why does this sort of bizarre hyperbreeding only seem to afflict antiseptic megareligious families from the Midwest? In other words — assuming Michelle and Jim Bob…

October 27, 2005

Father of Joy

The following thoughts came largely from a PCA minister from Virginia with whom I enjoyed a recent, stimulating conversation. The Triune fellowship is a fellowship of eternal infinite joy. The Father delights in His beloved Son, and eternally pours out the abundance of His Spirit on Him. The Son delights…

October 26, 2005

Constantine

Keanu Reeves seems incapable of playing anything but a Christ figure (remember his supersonic ascension at the end of Matrix 1). In the recent horror film, Constantine , he plays John Constantine (J.C. – get it?), an agnostic, chain-smoking suicide restored to life to work as a free-lance exorcist. He…

October 26, 2005

Staying put

Elijah goes to Gilgal, and Elijah tells him to stay. Elisha refuses, and together they move on to Bethel. Elijah tells Elisha to stay put again, but again he refuses and the move on to Jericho. When Elijah has departed and Elisha returns to the land, he “stays” in Jericho…

October 25, 2005

Musical and Narrative Structure

Mozart’s little Minuet in F from Don Giovanni has a simple form. After a 3-measure introduction, the main theme runs through several measures, and then repeats exactly. A second theme follows, and is again repeated identically, and the piece ends with a double repetition of the main melodic theme. This…

October 25, 2005

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