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Ephesians

Music and Drunkenness, Part 2

For Part 1, click HERE . How did Paul’s earliest commentators view his juxtaposition of music and drunkenness, and did they connect it to the ancient Greek ideas of musical ethos described in Part I? Origen, one of the earliest commentators on Paul, writes about Ephesians 5:18-19: One, however, who…

by John AhernMay 17, 2018
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Ephesians

Music and Drunkenness, Part 1

Perhaps it is because I am a musician that I have always found Ephesians 5:18-19 so arbitrary. But isn’t it a little odd to contrast music and drunkenness? Perhaps it is not obvious that that is what Paul is doing; I know, for myself, that it is remarkably easy to…

by John AhernMay 15, 2018
infant-baptism
Baptism

Unequal Holiness

In 1 Corinthians 7:12-16 Paul deals with how the Corinthian Christians are supposed to be relating to unbelieving spouses. He essentially tells them, “Look, if your unbelieving spouse is willing to stay with you as a faithful Christian, don’t initiate a divorce. If he/she wants to leave you, let him/her…

by Bill SmithMay 10, 2018
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Violence

The Sword of Adam: Preterism vs. Pacifism, (Part 2)

For Part 1, click HERE . Those who focus on the supposed “pacifism” of Jesus and condemn the violence of God’s judgments throughout the Old Testament overlook the ministry of sacrificial bloodshed as an alternative to human bloodshed. The sword bearing of the sacrificial system was introduced to avoid the…

by Mike BullMay 8, 2018
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Violence

The Sword of Adam: Preterism vs. Pacifism, Part 1

How should a Christian respond to the objection that the Bible, like the Koran, is a book of violence and bloodshed? Numerous answers have been offered by well-meaning exegetes, but none of them gets to the heart of the matter: God desires to place a sword in the hands of…

by Mike BullMay 3, 2018
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Theopolis News

Alastair Roberts Appointed As Adjunct Senior Fellow

Beginning this summer, Dr. Alastair Roberts will join the Theopolis Institute as an adjunct Senior Fellow, the Institute has announced. Dr. Roberts will be a regular on the Theopolis podcast, teach intensive courses and in the Fellows Program, and help develop new programs and outlets. Roberts earned his PhD from…

by TheopolisMay 2, 2018

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Uh, oh, they’re on to us

In the course of a screed of breathtaking condescension against large families, religion, and conservatism, SFGate.com columnist Mark Morford inadvertently stumbles upon an insight: “Why does this sort of bizarre hyperbreeding only seem to afflict antiseptic megareligious families from the Midwest? In other words — assuming Michelle and Jim Bob…

October 27, 2005

Uh, oh, they’re on to us

In the course of a screed of breathtaking condescension against large families, religion, and conservatism, SFGate.com columnist Mark Morford inadvertently stumbles upon an insight: “Why does this sort of bizarre hyperbreeding only seem to afflict antiseptic megareligious families from the Midwest? In other words — assuming Michelle and Jim Bob…

October 27, 2005

Father of Joy

The following thoughts came largely from a PCA minister from Virginia with whom I enjoyed a recent, stimulating conversation. The Triune fellowship is a fellowship of eternal infinite joy. The Father delights in His beloved Son, and eternally pours out the abundance of His Spirit on Him. The Son delights…

October 26, 2005

Constantine

Keanu Reeves seems incapable of playing anything but a Christ figure (remember his supersonic ascension at the end of Matrix 1). In the recent horror film, Constantine , he plays John Constantine (J.C. – get it?), an agnostic, chain-smoking suicide restored to life to work as a free-lance exorcist. He…

October 26, 2005

Staying put

Elijah goes to Gilgal, and Elijah tells him to stay. Elisha refuses, and together they move on to Bethel. Elijah tells Elisha to stay put again, but again he refuses and the move on to Jericho. When Elijah has departed and Elisha returns to the land, he “stays” in Jericho…

October 25, 2005

Musical and Narrative Structure

Mozart’s little Minuet in F from Don Giovanni has a simple form. After a 3-measure introduction, the main theme runs through several measures, and then repeats exactly. A second theme follows, and is again repeated identically, and the piece ends with a double repetition of the main melodic theme. This…

October 25, 2005

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