Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Understanding Shakespeare’s Biblical references is vital for the interpretation of many, if not all, of Shakespeare’s plays. For Othello , it is especially important, not only because the interpretation of the play is contested among various approaches — feminist, homosexual, post-colonial, Marxist, Freudian, new historical, and others — but also…
Mike Allen of Reformed Theological Seminary, Orlando, scores some points in his review of The End of Protestantism . He lodges the fair complaint that my rhetoric sometimes outruns my evidence. He argues that more stress on the present reality of the church’s unity deepens the tragedy of division; divisions…
I begin with two observations. First, on any millennial view, the Christian account of history is progressive, moving from the garden to the city. It is eschatological not only in that there is an end, but that the end is a glorified beginning, not merely a return to origins. To…
The church is a new form of polity that erupts into the world as much as the Son of God comes into the world. It’s a real-world political alternative to the polities of the ancient world. It resolves many of the political dilemmas of the ancient world, though not simply…
In my last post , I explained how Baptists really have a “one-ordinance-one sacrament” ecclesiology. I said this: “what Baptists really believe, in modern parlance, is that there is one ordinance (baptism which is a sign or symbol only) and one sacrament (the Lord’s Supper in which feeding upon Jesus…
One of the most extensive and penetrating responses to the Yoder-Hauerwas attack on Constantiniansm is found in Oliver O’Donovan’s Desire of Nations , in a chapter entitled “The Obedience of Rulers.” O’Donovan defines the word “Christendom” as “a historical idea,” specifically “the idea of a professedly Christian secular political order,…
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At the end of his wonderful essay on “Art and Sacrament,” the Welsh poet and painter David Jones included a fragment that he wrote and rewrote over several decades. Here is wisdom: I said, ah! what shall I write? I inquired up and down (he’s tricked before with his manifold…
In a 2003 TNR review of Roman Polanski’s Oscar-winning film, The Pianist , Michael Oren gives information about Wilm Hosenfeld, the German officer who assists Szpilman: “while scrounging in an abandoned house for food, Szpilman comes face-to-face with a German officer. Instead of drawing his revolver, the officer asks Szpilman…
Here are a couple of selections from a September 2004 New Yorker interview with Marilynne Robinson: Q. “In your nonfiction collection, ‘The Death of Adam: Essays on Modern Thought,’ you wrote about the sixteenth-century theologian John Calvin, and about his strong sense of humanism and tolerance and his importance to…
Charles Segal argues in his Singers, Heroes, and Gods in the Odyssey that Odysseus’ return to Ithaca is a return to himself. This works in several dimensions. Through the second half of the epic, various characters reconstruct the story of Odysseus’ life - the story of his naming and the…
Charles Segal argues in his Singers, Heroes, and Gods in the Odyssey that Odysseus’ return to Ithaca is a return to himself. This works in several dimensions. Through the second half of the epic, various characters reconstruct the story of Odysseus’ life - the story of his naming and the…
Discussing the question of the corporeality of angels, Herman Bavinck argues that angels cannot have bodies because that would imply they are material and “matter and spirit are mutually exclusive.” He charges that “it is a form of pantheistic identity philosophy to mix the two and to erase the distinction…
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