Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
Many years ago, while perusing Janice Anderson’s revised doctoral dissertation, Matthew’s Narrative Web: Over, and Over, and Over again , I was impressed by her attention to literary structures of repetition within and across Matthew’s Gospel. 1 Her research, in part, nudged me closer toward my present conviction that Matthew…
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
“Like a lily among the thorns, so is my love among the maidens… My beloved is mine and I am his; he pastures among the lilies.” Song 2:2, 16 In chapter two of the Song of Solomon, the Beloved compares his Love to a lily among thorns. The language of…
Introduction From the very beginning, angels and animals have played mediating roles between God and Man. Just as the World was made three-tiered (Heaven, Earth, Deep), so the creatures were made (Angels, Men, Animals). Before Christ came to build the permanent bridge across the chasm between God and Man, various…
Matthew 13, the third major discourse of the apostle’s gospel, is comprised almost entirely of parables. While it may seem that all the parables serve the same purpose in fulfilling the prophet Isaiah (Matthew 13:14), the parables found in verses 44–52, at the very least, function outside that purpose. This…
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At the end of his wonderful essay on “Art and Sacrament,” the Welsh poet and painter David Jones included a fragment that he wrote and rewrote over several decades. Here is wisdom: I said, ah! what shall I write? I inquired up and down (he’s tricked before with his manifold…
In a 2003 TNR review of Roman Polanski’s Oscar-winning film, The Pianist , Michael Oren gives information about Wilm Hosenfeld, the German officer who assists Szpilman: “while scrounging in an abandoned house for food, Szpilman comes face-to-face with a German officer. Instead of drawing his revolver, the officer asks Szpilman…
Here are a couple of selections from a September 2004 New Yorker interview with Marilynne Robinson: Q. “In your nonfiction collection, ‘The Death of Adam: Essays on Modern Thought,’ you wrote about the sixteenth-century theologian John Calvin, and about his strong sense of humanism and tolerance and his importance to…
Charles Segal argues in his Singers, Heroes, and Gods in the Odyssey that Odysseus’ return to Ithaca is a return to himself. This works in several dimensions. Through the second half of the epic, various characters reconstruct the story of Odysseus’ life - the story of his naming and the…
Charles Segal argues in his Singers, Heroes, and Gods in the Odyssey that Odysseus’ return to Ithaca is a return to himself. This works in several dimensions. Through the second half of the epic, various characters reconstruct the story of Odysseus’ life - the story of his naming and the…
Discussing the question of the corporeality of angels, Herman Bavinck argues that angels cannot have bodies because that would imply they are material and “matter and spirit are mutually exclusive.” He charges that “it is a form of pantheistic identity philosophy to mix the two and to erase the distinction…
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