Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Stories, frankly all human stories are practically always about one thing aren’t they? Death. The inevitability of death. . . . “There is no such thing as a natural death. Nothing that happens to man is ever natural, since his presence calls the whole world into question. All men must…
Matthew is organized around 5 discourses, which trace out the history of Jesus as a recapitulation of the history of God and Israel in the Old Testament. Jesus first speaks as a new Moses, instructing His disciples on a mountain about a righteousness that surpasses the righteousness of the scribes…
The fall of the Sethites in Genesis 6 is the third fall of mankind, or the third degree of Adam’s original fall. Adam sinned in a Garden against his Father by stealing something he was supposed to wait to obtain. (“Every tree shall be food for you” Genesis 1:29.) Cain…
The recent fantasy film Noah and a slightly related blog comment by my friend Douglas Wilson have stirred up again the question of whether the “sons of God” in Genesis 6 who married the “daughters of men” were fallen angels or the priestly line of Seth. Doug argues for angels,…
The prophecy of Jude concerns apostasy. An illustration of apostasy and its consequences is found in verse 6, which the New American Standard Bible translates this way: "And angels who did not keep their own domain, but abandoned their proper abode, He has kept in eternal bonds under darkness for…
At His death, Jesus is surrounded by a Roman centurion and his cohort of Gentile solders. Matthew doesn't say that any disciples are there. But women are, and so is Joseph of Arimathea, identified as a “disciple” but, as John tells us, a “secret disciple for fear of the Jews,”…
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T homas Nagel reviews Daniel Dennett's latest, From Bacteria to Bach and Back , in the NYRB . It's a wild ride. Reality, real reality, is the matter-in-process that science describes, Dennett argues. Dennett is famously, insanely consistent in his materialism. Nagel writes, “Bach’s or Picasso’s creative genius, and our…
C harles Rosen celebrated Chopin's birth in June 2010 with a NYRB essay on the composer. Rosen observed that until the twentieth century, Chopin was often treated as a minor figure: “Chopin’s concentration on the genres of salon music considered trivial—nocturnes, mazurkas, waltzes—placed him among the miniaturists. Critics could not…
I n his history of popular culture in early modern Europe, Peter Burke traces what he describes as the “triumph of Lent” during the 17th and 18th centuries. He refers to Brueghel’s painting, Combat of Carnival and Lent and says, “I am tempted to interpret ‘Carnival,’ who belongs to the…
W illiam Henry Green's 1890 Bibliotecha Sacra essay on “ Primeval Chronology ” has been a touchstone of evangelical biblical scholarship for over a century, its arguments regularly cited or alluded to by scholars dealing with the genealogies of Genesis 5 and 11. In response to skeptical challenges to the…
I n his recently-published Sign and Sacrifice , Rowan Williams notes the continuity between the post-Maccabean theology of martyrdom and the death of Jesus. For intertestamental Jews, as for Romans, death could be noble and triumphant. There's a radical discontinuity too. For Jews (as for Romans), martyrs triumphed because they…
H elmut Kuhn begins his 1941 article on “true tragedy” by noting the chronological proximity of Plato and Sophocles: “When Sophocles died, Plato had just come of age. So the question naturally arises whether the chronological succession is historically significant. Can we discover a line of development leading from Aeschylus…
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