Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
“What’s the fastest route” he asks me as we quickly come to a stop behind a sea of red brake lights. I pull out my phone and map all the options. Every way is red with traffic backed up. Deep down I must be a small town girl because traffic…
Dear Friend of Theopolis, I have signed a stack of documents in the years since we started Theopolis, but my heart jumped a few beats as I looked at the thick lease contract. “This is real,” I thought. “This makes it really real.” Theopolis has been real for nearly three…
In the Edenic world of Perelandra, from C.S. Lewis’s Space Trilogy, Ransom notices something about how the Green Lady treats the animals: [1] “There was in her face an authority, in her caresses a condescension, [2] which by taking seriously the inferiority of her adorers made them somehow less inferior…
In my previous two articles, I argued for the significance of the fact that baptism addresses our bodies in their objectivity. In the body, the self has an existence that runs deeper than our consciousness, decision, self-expression, and action. In washing our passive bodies, baptism seals us with an anticipatory…
Judah is a sinful nation, weighed down with iniquity. They are not the seed of Abraham, but the seed of iniquity. Their worship is abominable to Yahweh, because their hands are covered with innocent blood. They have not done good, or sought justice, or reproved the ruthless, or defended the…
Although we tend to define ourselves by our subjectivity —our perceptions, thoughts, feelings, decisions, actions—we are frequently forgetful of the objectivity of the self as body, the reality of the self that underlies and precedes all of our subjectivity. The body is the site of our ‘givenness’, where we are…
Showing page 139 of 309
Showing page 39 of 43
Some of the following notes were taken from a longer introduction to Julius Caesar posted on this site some months ago. INTRODUCTION For several generations, Julius Caesar has been a staple of high school English literature, coming from a period when education was rooted in Greek and Roman classics and…
Paul Nickell’s 1951 Westinghouse Studio One production of Coriolanus is fast-paced, well-acted, and, making allowances for technological weaknesses, interesting and fun to watch. It is also very unlike the play that Shakespeare wrote. The play begins with plebs rioting (or milling around) in the streets of Rome, complaining about the…
The stage history of Coriolanus is as interesting as the play itself. It has provoked riots and demonstrations, and has been used as a way of preventing riots and demonstrations. Here are a few excerpts from RB Parker’s excellent introduction to the play (The Oxford Shakespeare): RIGHT-WING INTERPRETATIONS ?In reaction…
Glory and Song, 2 Chronicles 5:1-14 INTRODUCTION As we close out this brief series on worship, we will be looking at two separate but related issues: the glorification of worship, and music in worship. These are related in several ways: Music is itself a means of enhancing or glorifying worship;…
INTRODUCTION For Elizabethans, Rome was not only an ancient power but a very real contemporary power. The plays of Shakespeare that are set in Rome and those derived from Roman models often work in both registers, bringing papal Rome into plays set in ancient times. I will look at some…
I wonder: If we take Shakespeare’s Julius Caesar as a play about both ancient and Papal Rome, then the point seems to be that ecclesiastical imperialism is unavoidable, that it will take its vengeance and return in more virulent forms. The “puritans” like Cassius attempt to cut the head off…
Showing page 2069 of 2212
Your weekly digest for all things Theopolis.
