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Matthew

What Tune is Playing? (Matthew 11:1-19)

Matthew’s gospel is a replay of Israel’s history, and this replay occurs at two different levels. On the one hand, Jesus relives Israel’s history and does it faithfully. He is the Son, the true Israel, called out of Egypt, baptized in the sea, tempted in the wilderness. He is the…

by Peter LeithartJanuary 14, 2014
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Theopolis News

Constantine, Christendom, Christian Renewal

Trinity House President Peter Leithart will deliver two lectures at the Eighth Day Institute annual conference in Wichita, Kansas, January 16-18. The conference theme is "Constantine, Christendom, and Christian Renewal," and Dr. Leithart will be lecturing on Constantine. Dr. Leithart will preach on Sunday, January 19, at Trinity Covenant Church…

by Peter LeithartJanuary 13, 2014
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Matthew

Treasures in Matthew's Genealogy, 2

In the previous article, we considered the life of Abraham up to the birth of Isaac and the way in which his life up to that point foreshadows later redemptive history. Our reason for this consideration was at the Gospel of Matthew's behest. He pointed us in that direction. He…

by Kelly KerrJanuary 9, 2014
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Theology

The Trinity and the Nations, 3

The Spirit of Speech The last period in Israel’s history arrives almost from nowhere. The prophets appear unannounced, give short, but earth-shattering messages and then are whisked away by the Spirit (1 Kings 18:12). They do not hold high positions in Israel, but their words give them great political sway.…

by Brian MarrJanuary 7, 2014
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Theopolis News

Nevin Lectures

Trinity House Institute is delighted to announce our first annual series of Nevin Lectures. Timothy George, Dean and Professor of Church History at Beeson Divinity School, will deliver four lectures on “Sacramental Theology from a Baptist Perspective” on February 7-8, 2014 at Trinity Presbyterian Church in Birmingham, Alabama. More information...…

by TheopolisJanuary 2, 2014
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Revelation

Him Whom They Pierced

Revelation 1: 7 states the theme of Revelation. It is a self-standing verse, beginning and ending with “Amen” (the “Amen” at the end of verse 6 should be taken as the beginning of the statement in verse 7). A double Amen as a double witness, and it becomes a threefold…

by Peter LeithartJanuary 1, 2014

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Philosophy

More Reflections on Postmodernism

Back to reflections on post-modernism: It seems that Freud, not Nietzsche, is the really grandfather of the movement, though, not unexpectedly, some sons and grandsons efface his memory and resist his influence (not all, of course).

October 28, 2003
History

Courtly Love

On courtly love: The basic shift is from the ancient and early medieval view that eros sapped and vitiated virtus to a belief that eros was a condition of the possibility of virtus and valor. This is, as Lewis said, a seismic shift in sensibility, one that we still do…

October 28, 2003

Structure of Romans 1:16ff.

Jouette Bassler’s 1984 article “Divine Impartiality in Romans” ( Novum Testamentum ) present structural arguments for saying that the section beginning in Rom 1:16-18 runs through the middle of chapter 2. This is evident from the repetition of the verb prasso in 1:32 and again in 2:1-3; thus the center…

October 28, 2003
Philosophy

Postmodernism and the ’60s

It’s not at all accidental that postmodernism takes its rise in the mid-1960s. Bloom wrote the first draft of the anxiety of influence in 1967, and revised it over several years before its initial publication in 1973. Derrida’s annus miraibilis was 1967, which saw the publication of Speech and Phenomena…

October 28, 2003
Philosophy

Postmodernism and the ’60s

It’s not at all accidental that postmodernism takes its rise in the mid-1960s. Bloom wrote the first draft of the anxiety of influence in 1967, and revised it over several years before its initial publication in 1973. Derrida’s annus miraibilis was 1967, which saw the publication of Speech and Phenomena…

October 28, 2003
Philosophy

Murder of Father

Turns out that Harold Bloom’s “anxiety of influence” is just another variation on the same set of themes that Derrida is obsessed with — the son’s murder of the father. For Bloom, the son is the “strong poet” who resists the influence of his predecessor/father in order to carve out…

October 28, 2003

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