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Matthew

What Tune is Playing? (Matthew 11:1-19)

Matthew’s gospel is a replay of Israel’s history, and this replay occurs at two different levels. On the one hand, Jesus relives Israel’s history and does it faithfully. He is the Son, the true Israel, called out of Egypt, baptized in the sea, tempted in the wilderness. He is the…

by Peter LeithartJanuary 14, 2014
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Theopolis News

Constantine, Christendom, Christian Renewal

Trinity House President Peter Leithart will deliver two lectures at the Eighth Day Institute annual conference in Wichita, Kansas, January 16-18. The conference theme is "Constantine, Christendom, and Christian Renewal," and Dr. Leithart will be lecturing on Constantine. Dr. Leithart will preach on Sunday, January 19, at Trinity Covenant Church…

by Peter LeithartJanuary 13, 2014
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Matthew

Treasures in Matthew's Genealogy, 2

In the previous article, we considered the life of Abraham up to the birth of Isaac and the way in which his life up to that point foreshadows later redemptive history. Our reason for this consideration was at the Gospel of Matthew's behest. He pointed us in that direction. He…

by Kelly KerrJanuary 9, 2014
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Theology

The Trinity and the Nations, 3

The Spirit of Speech The last period in Israel’s history arrives almost from nowhere. The prophets appear unannounced, give short, but earth-shattering messages and then are whisked away by the Spirit (1 Kings 18:12). They do not hold high positions in Israel, but their words give them great political sway.…

by Brian MarrJanuary 7, 2014
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Theopolis News

Nevin Lectures

Trinity House Institute is delighted to announce our first annual series of Nevin Lectures. Timothy George, Dean and Professor of Church History at Beeson Divinity School, will deliver four lectures on “Sacramental Theology from a Baptist Perspective” on February 7-8, 2014 at Trinity Presbyterian Church in Birmingham, Alabama. More information...…

by TheopolisJanuary 2, 2014
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Revelation

Him Whom They Pierced

Revelation 1: 7 states the theme of Revelation. It is a self-standing verse, beginning and ending with “Amen” (the “Amen” at the end of verse 6 should be taken as the beginning of the statement in verse 7). A double Amen as a double witness, and it becomes a threefold…

by Peter LeithartJanuary 1, 2014

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House of Wisdom

1 Chronicles 22 records a lengthy speech from David to his son Solomon. The very setup suggests an analogy with the book of Proverbs, in which Solomon gives instructions to his son the prince. For the Chronicler, Solomon learned to teach wisdom by receiving it from David. That formal hint…

December 1, 2016

Sources of Apocalyptic

I n his 1892 Lectures on the Apocalypse (29–30), William Milligan argues that “the symbolism of the Revelation is wholly and exclusively Jewish.” He illustrates: Even “the crown of life” in chap. i. 10 is not the wreath of the victor in the Grecian games, but the Hebrew crown of…

December 1, 2016

Limits of Pen and Tongue

S hakespeare's Sonnet 103 laments the limits of language to capture the thing it describes. “Look in your glass,” the poet says, and you will see a face that overwhelms “my blunt invention quite.” The reality dulls the poet’s lines and disgraces him. And it would be a sin to…

November 30, 2016

Church With Soul of America?

The paragraphs below are taken, with slight changes, from a column I wrote at Firstthings.com in July 2015. The questions are even more pressing since Trump's election. I mmigration has always roiled under the surface of American politics. It’s the price of being America, a land subdued by outcasts and…

November 30, 2016

A House by and for Nations

A fter David sinfully takes a census of Israel (1 Chronicles 21), the threshing site where he builds the altar that arrests the plague becomes the temple site (1 Chronicles 22:1). David begins preparations for the temple. First, he gathers the “strangers” (Heb. ger ), non-Israelite residents of the land…

November 29, 2016

Love Well What You Leave

S hakespeare's Sonnet 73 embodies the excessiveness of poetry. It’s possible to summarize the poem in a brief statement: “I’m getting old. I'll die. Love me while you can.” Why so belabor the point? One effect of belaboring through fourteen lines of iambic pentameter is to link aging with cosmic…

November 29, 2016

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