Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The book of Isaiah has a very brief introduction, one verse, and then plunges into a searing indictment of the people of Judah and Jerusalem. They are sons who do not honor their father, worse than donkeys and oxen who at least know their master. They are a bruised and…
This is the third of a three-part essay. The Literary Reader As a conclusion to this essay, I want to make some observations that grow out of C. S. Lewis’s remarkable Experiment in Criticism , mentioned in an earlier installment. What Lewis is interested in doing is coming up with…
Metropolitan Manifesto, the new work from Theopolis fellow Richard Bledsoe, and first "Theopolis Books" release, is out today! Head over to the Athanasius Press website to get a copy. Half the world's population now lives in cities, and that is where the Church must learn to serve. Rev. Richard Bledsoe…
This is the second portion of a three-part essay. Learning to Read Learning to read the Bible is easier said than done, of course. There are several reasons for this, and they all have to do with the art of reading. Reading is an art and not a science, and…
“It instilled a real and abiding change in the way I understand my life as a disciple of Jesus Christ,” said Clint Hail, a Community Development Coordinator out of Dallas who attended Theopolis’ course on Mission to the City . “The course renovated the way I understand the challenges facing,…
What does it mean to read the Bible as inspired literature? The method is not new nor is it uncommon in Dutch Reformed circles. Exegesis must be Christocentric, plenary (all the text serves a theological purpose), respect the context in God’s redemptive plan, and plumb the full literary depth of…
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B orn to Run is an anthem of escape, seemingly an exodus from the confinements of small-town America: “H-Oh, Baby this town rips the bones from your back / It’s a death trap, it’s a suicide rap / We gotta get out while we’re young / ‘Cause tramps like us,…
T errence Rafferty calls filmmaker Guillermo del Toro the “Master of Highbrow Horror” ( The Atlantic ). He traces del Toro’s aesthetic to a childlike mix of fear and fascination: “Toro’s work isn’t simply the something’s-out-to-get-you feeling of conventional scare pictures. It’s fear mixed with fascination, a childlike wonder at…
I n an essay on the notion of “cosmopolitanism,” Wayne Cristaudo presents Franz Rosenzweig and Eugen Rosenstock-Huessy as thinkers who propose an un philosophical cosmopolitanism. That un- is critical, Crustaudo thinks, to a genuine recognition of and reckoning with difference: Both Rosenzweig and Rosenstock oppose “the more typical philosophical approach…
J anet Adelman ( Blood Relations ) devotes an interesting chapter to analyzing Lancelot’s departure from Shylock’s house, and his strange reunion with his father Gobbo, in Merchant of Venice . Lancelot has been Shylock’s servant, but he has had enough and, like Shylock’s daughter Jessica, he leaves for the…
I n his provocative essay on Gender , Ivan Illich describes a shift from “vernacular gender” to “social sex.” By the former, he meant “a distinction in behavior, a distinction universal in vernacular cultures. It distinguishes places, times, tools, tasks, forms of speech, gestures, and perceptions that are associated with…
Ivan Illich ( Gender ) points to the differences between the activities of a modern housewife and those of her grandmother. They are practically and economically quite distinct. “When a modern housewife goes to the market, picks up the eggs, drives them home in her car, takes the elevator to…
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