Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Genesis 3 ends on a decisive, and decisively negative, note. Yahweh “drove the man out” of the garden, and, in addition, “at the east of the garden of Eden He stationed the cherubim, and the flaming sword which turned every direction, to guard the way to the tree of life.”…
When she died in 2005 at the age of 72, Anna Haycraft, the author who published under the name Alice Thomas Ellis, was a celebrated writer in Great Britain. While working at Duckworth Publishers(which her husband owned), she produced a dozen novels, a collection of short stories, a cookbook, volumes…
Some have suggested recently that my "project" is postmodern. To clarify my views on postmodernism, I'm re-posting something I wrote in 2005, with a few modifications. For a fuller discussion, you can check out my Solomon among the Postmoderns (Canon, 2008). First, it is helpful to distinguish, as many writers…
Calling Jerusalem the "holy city" comes so naturally to Christians that it comes as something of a surprise to realize how infrequently the phrase is used in Scripture. Not only is Jerusalem rarely called holy, but in the Old Testament this classification is found only in texts that refer to…
Asking why the church doesn’t sing hymns or even why men don’t sing in church is a bit like lamenting over the lame man who can’t waltz on the dance floor. While it is a valid question, the more immediate question would seem to be, “why doesn’t the lame man…
The theme of 1 Timothy is the distinction between the true children in the Household of God and false children who really belong to the household of Satan. This is seen in the fact that in the chiastic structure of the Epistle, heresy is the subject in the center (…
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B orn to Run is an anthem of escape, seemingly an exodus from the confinements of small-town America: “H-Oh, Baby this town rips the bones from your back / It’s a death trap, it’s a suicide rap / We gotta get out while we’re young / ‘Cause tramps like us,…
T errence Rafferty calls filmmaker Guillermo del Toro the “Master of Highbrow Horror” ( The Atlantic ). He traces del Toro’s aesthetic to a childlike mix of fear and fascination: “Toro’s work isn’t simply the something’s-out-to-get-you feeling of conventional scare pictures. It’s fear mixed with fascination, a childlike wonder at…
I n an essay on the notion of “cosmopolitanism,” Wayne Cristaudo presents Franz Rosenzweig and Eugen Rosenstock-Huessy as thinkers who propose an un philosophical cosmopolitanism. That un- is critical, Crustaudo thinks, to a genuine recognition of and reckoning with difference: Both Rosenzweig and Rosenstock oppose “the more typical philosophical approach…
J anet Adelman ( Blood Relations ) devotes an interesting chapter to analyzing Lancelot’s departure from Shylock’s house, and his strange reunion with his father Gobbo, in Merchant of Venice . Lancelot has been Shylock’s servant, but he has had enough and, like Shylock’s daughter Jessica, he leaves for the…
I n his provocative essay on Gender , Ivan Illich describes a shift from “vernacular gender” to “social sex.” By the former, he meant “a distinction in behavior, a distinction universal in vernacular cultures. It distinguishes places, times, tools, tasks, forms of speech, gestures, and perceptions that are associated with…
Ivan Illich ( Gender ) points to the differences between the activities of a modern housewife and those of her grandmother. They are practically and economically quite distinct. “When a modern housewife goes to the market, picks up the eggs, drives them home in her car, takes the elevator to…
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