Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Place names become fraught with meaning by association with people and events. The name “Wittenberg” calls to mind Luther and the Reformation for Protestants and Catholics alike. Geneva has a wider range of associations, but the Reformation Wall, with its four main statues of William Farel, John Calvin, Theodore Beza,…
“…a mystery without a solution, a horror story without savagery, a nightmare in which all the watches stop at noonday…” The Bestial Gardens of Men Then they will say to the mountains, “Fall on us!” and to the hills, “Cover us!” (Luke 23:30) The following lines by Edgar Allan Poe,…
2 Samuel 11-12, which record David’s sin with Bathsheba and its aftermath, is structured chiastically: This arrangement highlights several things about the episode. It reinforces what is obvious from even a casual reading, that the transition in the story occurs with Nathan’s confrontation of David’s sin and David’s confession. Up…
Medieval bestiaries are packed with quaintly inaccurate information about animals, birds, and other created things. Foxes and snakes are devilish critters; stags, pelicans and elephants are Christlike in their various ways. Of course, the medievals picked this up from the Bible, where bestiary observations are fairly common. “Go to the…
What do Reformational Catholicism and craft beer have in common? The question seems to beg for a punchline. Better yet, it would be pretty good clickbait for an article on Katharina von Bora’s “spirited” contribution that helped spark the Protestant Reformation. Well, this is no joke and I am certainly…
Suffering Defined Suffering happens. We witness it all around us and experience it in our lives. It often comes from forces beyond our control. Suffering is inscrutable; it strikes unexpectedly, on a bright summer day or a cold winter night. We lament and are bewildered by suffering. But we are…
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1 Chronicles 11–12 form a unit, framed by references to David’s coronation ceremony at Hebron: A. Gathering at Hebron, conquest of Jerusalem, 11:1–10 B. David’s followers while a fugitive, 11:11–47 B'. David’s host at Ziklag, 12:1–22 A’. Coronation festival at Hebron, 12:23–40 11:1-10 is itself framed by references to “all…
I n a 2014 piece published in First Things , I offered a “wish list” for Protestant churches, a checklist for a future catholic Protestantism. The wish list doesn't cover everything. It doesn't mention those things that Protestants, especially Evangelicals, already do, often exceedingly well, things like missions and evangelism…
D ante is moving through the circle of the lustful (Comedy, Canto 5) and sees a host of classical lovers. Among them is Semiramis, less famous than Dido or Cleopatra, but an exceedingly important illustration of how lust misshapes language and law. Rodney Payton explains ( A Modern Reader’s Guide…
E xplaining the moral structure of hell in Canto 11 of Dante’s Comedy , Virgil lays out three general categories of sin: incontinence, malice, and mad bestiality (lines 83-4). That’s not quite what we expect, or what most commentators see. It seems more like incontinence, violence, and fraud. Incontinent sins…
R odney Payton ( Modern Reader’s Guide to Dante’s Inferno , 88–89) observes that “Dante’s vocabulary is rich in words denoting water,” including “the Italian words for water, river, little river, bog, marsh, stream, pond, slough, fount, and waves, at lest. In many cases the nouns are modified by adjectives…
A ntonio of Venice is inexplicable sad. So is Portia of Belmont, her “little body . . . aweary of this great world” ( Merchant of Venice 2.1). Antonio and Portia have all that they could want. They aren’t anxious about money; neither is pining for love. Why so sad?…
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