Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
If 1 Chronicles were a movie, it would begin with two hours and forty-five minutes of credits: Name after name scrolling across the screen, most of them (as far as we’re concerned) obscurities and nonentities and unknowns, forgotten fathers and sons and mighty men; all the bit players in the…
Let me locate myself. I’m sitting on a sand dune, three hundred feet above the blue-as-a-swimmer-crab water of Lake Michigan. I’m so high above the surface that the sound of the waves flopping onto the beach is as quiet as wind easing through a screen door. Around me are several…
My title is too grand. What I offer here falls far short of a full description of poetry. I barely offer a definition. A more accurate title would be “Axioms and Suspicions About Poetry.” Axioms first. I have three of them. The first is the closest I can come to…
In his book In Defense of Food Michael Pollan does just what the title suggests, he defends food. Pollan argues that the presupposition behind modern food science, or “nutritionism” as he calls it, is that humans don’t need food, they need nutrients. To be sure, modern science is not yet…
The early church took possession of the Roman Empire within a few centuries, largely because she ministered sacrificially in word and deed. The church provided services and care that the empire and pagan religions could not in times of crisis. The faithful witness of those serving Christians bore great fruit…
My title, “The Original Murder” will be understood by many readers, if not almost all, to refer to Cain’s murder of Abel, but I have in mind the very first murder, the one which Jesus pointed to when He said that Satan was a murderer “from the beginning.” “You are…
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1 Chronicles 11–12 form a unit, framed by references to David’s coronation ceremony at Hebron: A. Gathering at Hebron, conquest of Jerusalem, 11:1–10 B. David’s followers while a fugitive, 11:11–47 B'. David’s host at Ziklag, 12:1–22 A’. Coronation festival at Hebron, 12:23–40 11:1-10 is itself framed by references to “all…
I n a 2014 piece published in First Things , I offered a “wish list” for Protestant churches, a checklist for a future catholic Protestantism. The wish list doesn't cover everything. It doesn't mention those things that Protestants, especially Evangelicals, already do, often exceedingly well, things like missions and evangelism…
D ante is moving through the circle of the lustful (Comedy, Canto 5) and sees a host of classical lovers. Among them is Semiramis, less famous than Dido or Cleopatra, but an exceedingly important illustration of how lust misshapes language and law. Rodney Payton explains ( A Modern Reader’s Guide…
E xplaining the moral structure of hell in Canto 11 of Dante’s Comedy , Virgil lays out three general categories of sin: incontinence, malice, and mad bestiality (lines 83-4). That’s not quite what we expect, or what most commentators see. It seems more like incontinence, violence, and fraud. Incontinent sins…
R odney Payton ( Modern Reader’s Guide to Dante’s Inferno , 88–89) observes that “Dante’s vocabulary is rich in words denoting water,” including “the Italian words for water, river, little river, bog, marsh, stream, pond, slough, fount, and waves, at lest. In many cases the nouns are modified by adjectives…
A ntonio of Venice is inexplicable sad. So is Portia of Belmont, her “little body . . . aweary of this great world” ( Merchant of Venice 2.1). Antonio and Portia have all that they could want. They aren’t anxious about money; neither is pining for love. Why so sad?…
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