Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Along His journey to Jerusalem, Jesus stops frequently to have meals, three times with Pharisees (7:37-50; 11:37-54; 14:1-35). Meals were central to Jesus’ ministry. He comes “eating and drinking” (Luke 7:34). While His meals are not just for refreshment, they are opportunities for teaching the protocols of the kingdom. Meals…
Time as a realm of participation can be difficult for us imaginatively to grasp. While music is a profoundly temporal art, exploring the medium of time like no other, most of our temporal experience seems decidedly unmusical in character, disjointed and unorchestrated. The form in which we naturally discover time…
John devotes much attention to Jesus’ burial clothes. He tells us that Nicodemus brought about a hundred pounds of myrrh and aloes to spice Jesus body, and that He was bound in linen wrappings. We find out that His body and His head were wrapped separately. (John 19:39-40; 20:6-7). When…
Thinking about time in terms of music also helps us to appreciate its unity and inner relations. Henri Bergson observes our cultural habit of dividing time into discrete moments, and conceiving of these as if akin to objects in a spatial succession. [1] Against such a notion, Bergson argues for…
As we attend to these and other aspects of music’s temporality, Begbie suggests, we will find means by which to resist some of our habitual modern ways of conceptualizing time, most especially our tendency to conceive of time as if it were a homogeneous set of technologically quantifiable units laid…
The Hidden Dimension In many fields of scientific study, the apparent complications and contradictions are dispelled once the internal logic is perceived. Biblical hermeneutics is no different, since the author of Creation is the Author of the Word. The Bible’s literary labyrinth radiates organically from an algorithm so simple it…
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1 Chronicles 11–12 form a unit, framed by references to David’s coronation ceremony at Hebron: A. Gathering at Hebron, conquest of Jerusalem, 11:1–10 B. David’s followers while a fugitive, 11:11–47 B'. David’s host at Ziklag, 12:1–22 A’. Coronation festival at Hebron, 12:23–40 11:1-10 is itself framed by references to “all…
I n a 2014 piece published in First Things , I offered a “wish list” for Protestant churches, a checklist for a future catholic Protestantism. The wish list doesn't cover everything. It doesn't mention those things that Protestants, especially Evangelicals, already do, often exceedingly well, things like missions and evangelism…
D ante is moving through the circle of the lustful (Comedy, Canto 5) and sees a host of classical lovers. Among them is Semiramis, less famous than Dido or Cleopatra, but an exceedingly important illustration of how lust misshapes language and law. Rodney Payton explains ( A Modern Reader’s Guide…
E xplaining the moral structure of hell in Canto 11 of Dante’s Comedy , Virgil lays out three general categories of sin: incontinence, malice, and mad bestiality (lines 83-4). That’s not quite what we expect, or what most commentators see. It seems more like incontinence, violence, and fraud. Incontinent sins…
R odney Payton ( Modern Reader’s Guide to Dante’s Inferno , 88–89) observes that “Dante’s vocabulary is rich in words denoting water,” including “the Italian words for water, river, little river, bog, marsh, stream, pond, slough, fount, and waves, at lest. In many cases the nouns are modified by adjectives…
A ntonio of Venice is inexplicable sad. So is Portia of Belmont, her “little body . . . aweary of this great world” ( Merchant of Venice 2.1). Antonio and Portia have all that they could want. They aren’t anxious about money; neither is pining for love. Why so sad?…
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