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Biblical Chronology

Chronologies and Kings: Part 3

The chronology of the Kings of Judah and Israel can be divided into three periods with clearly defined boundaries. The first period begins with the death of Solomon and the accessions of Rehoboam in the south (Judah) and Jeroboam in the north (Israel). It ends with the deaths of Ahaziah…

by James B. JordanSeptember 22, 1991
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Art

Arts & Play, Part 1

Most modern people regard the arts as essentially decorative. They are hardly very important, as compared to business, politics, or religion. Yet, from a Biblical point of view, the arts lie close to the heart of human life. The universe that God created is itself an artistic masterpiece by the…

by James B. JordanSeptember 22, 1991
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Exodus

Chronologies and Kings, Part 2

Before we move into a detailed survey of the history and chronology of the kings of Israel and Judah, let us review the chronological information that leads from creation to the kingdom. This will be helpful both to new readers of these essays, and a reminder for those who have…

by James B. JordanAugust 22, 1991
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Biblical Chronology

Chronologies and Kings, Part 1

We have completed our overall survey of Biblical chronology, and now turn to a detailed examination of the Biblical information regarding the chronology of Israel’s kings. The first piece of chronological information we have regarding Israel’s kings is very cryptic, and it serves as an guide to the interpretation of…

by James B. JordanJuly 22, 1991
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Biblical Horizons

Book Review - To Take Place: Toward Theory in Ritual

Jonathan Z. Smith, To Take Place: Toward Theory in Ritual (Chicago: University of Chicago Press, 1987). Reviewed by Peter J. Leithart. The philosophes of the 18th century often attacked Christendom using the tools of anthropology and comparative religion. Rousseau contrasted the idyllic equality of primitive, natural peoples with the bondage…

by Peter LeithartJuly 6, 1991
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Biblical Horizons

Book Review: The Rise of Magic in Early Medieval Europe

Valerie I. J. Flint, The Rise of Magic in Early Medieval Europe (Princeton University Press, 1991). Reviewed by Peter J. Leithart. Valerie I. J. Flint, Professor of History at the University of Auckland, New Zealand, is refreshingly candid about her reasons for undertaking a study of The Rise of Magic…

by Peter LeithartJuly 6, 1991

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As a Little Child

L ook at a wall, suggests Matthew Crawford ( The World Beyond Your Head ). What color is it? You probably have an answer, a simple one, but when you force yourself to look closely you can see all sorts of variations. The paint is uneven; the old color shows…

October 14, 2016

Denominational DIscourse

P rior to the 1830s, argues JCD Clark ( The Language of Liberty, 1660-1832 ), British political debate was carried on with denominational idioms. Political divides were denominational divides. Political and denominational issues overlapped and intertwined. Political networks, on both sides of the Atlantic, followed denominational pathways. As Clark puts…

October 14, 2016

Why We Sing

I n Revelation, martyrs sing before martyrdom and after martyrdom (Revelation 14-15). Their martyr songs are the war songs of the Lamb, the triumphal chants of those who overcome because they, like the Lamb, do not love life even to death. It doesn't happen only in Revelation. In his comments…

October 14, 2016

Greek Love

S ummarizing themes from his Love, Sex, and Tragedy , Simon Goldhill highlights the difference between ancient Greek conceptions of eros and Christian and post-Christian conceptions of romantic love. Even the most famous lovers of Greek antiquity, he writes, don’t express themselves with the little nothings that are normal among…

October 14, 2016

The Poet and the Christian

I n a TLS review of several new books on Kierkegaard, Will Rees comments on the therapeutic cruelty of Kierkegaard’s writing. In Sickness Unto Death , “Anti-Climacus explains how, far from an inheritance of birth, the ‘self’ is in fact a vocation – something that one must forge in a…

October 14, 2016

Queen of Snark

D evoney Looser says that Jane Austen’s juvenilia is an exercise in burlesque . Not the strip-tease variety, but not so far from that either: “Where a parody sets out to mimic conventions and make us laugh, a burlesque relies ‘on an extravagant incongruity between a subject and its treatment.’…

October 14, 2016

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