Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Understanding Shakespeare’s Biblical references is vital for the interpretation of many, if not all, of Shakespeare’s plays. For Othello , it is especially important, not only because the interpretation of the play is contested among various approaches — feminist, homosexual, post-colonial, Marxist, Freudian, new historical, and others — but also…
Mike Allen of Reformed Theological Seminary, Orlando, scores some points in his review of The End of Protestantism . He lodges the fair complaint that my rhetoric sometimes outruns my evidence. He argues that more stress on the present reality of the church’s unity deepens the tragedy of division; divisions…
I begin with two observations. First, on any millennial view, the Christian account of history is progressive, moving from the garden to the city. It is eschatological not only in that there is an end, but that the end is a glorified beginning, not merely a return to origins. To…
The church is a new form of polity that erupts into the world as much as the Son of God comes into the world. It’s a real-world political alternative to the polities of the ancient world. It resolves many of the political dilemmas of the ancient world, though not simply…
In my last post , I explained how Baptists really have a “one-ordinance-one sacrament” ecclesiology. I said this: “what Baptists really believe, in modern parlance, is that there is one ordinance (baptism which is a sign or symbol only) and one sacrament (the Lord’s Supper in which feeding upon Jesus…
One of the most extensive and penetrating responses to the Yoder-Hauerwas attack on Constantiniansm is found in Oliver O’Donovan’s Desire of Nations , in a chapter entitled “The Obedience of Rulers.” O’Donovan defines the word “Christendom” as “a historical idea,” specifically “the idea of a professedly Christian secular political order,…
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K risten Thompson devotes several pages of her Apocalyptic Dread , a study of apocalyptic in contemporary film, analyzing Spielberg's 2005 remake of War of the Worlds . She points to the “film’s extensive references to 9/11 and terrorism as the new marker of dread in the twenty-first century.” She…
F elecia Wright McDuffie's To Our Bodies Turn We Then is a study of Donne's understanding of the body as “word and sacrament.” Drawing from Donne's poetry, sermons, and prose writing, she summarizes Donne's view of the human body as created, fallen, redeemed, and recreated. All along the way, McDuffie…
P utting “film noir ” and “musical” in the same sentence may seem absurd. If any film genre is sunlight and sentiment, seething with clappy optimism, it's the musical. And noir is something different. Sheri Biesen's Music in the Shadows shows that the two forms have cohabited for decades: “The…
W ho teaches your U.S.A. children how to choose their temple? What to love enough not to think two times?” These questions are posed in the broken English of Remy Maranthe, one of the Wheelchair Assassins who populate David Foster Wallace’s Infinite Jest . After Canada is forced into the…
C J Labuschagne points out in his Numerical Secrets of the Bible that “Exod 39:32–43 tells how the Tabernacle with all its equipment was presented to Moses, who inspected all the work and saw that the craftsmen had done their work according to the command of the Lord, and he…
C J Labuschagne ( Numerical Secrets of the Bible ) highlights the use of 11-fold literary patterns in the Pentateuch. The creation account, for instance, uses the formula “and God said” eleven times, concluding with the creation of Eve: “This coherence is found also in the eleventh divine utterance in…
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