Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Understanding Shakespeare’s Biblical references is vital for the interpretation of many, if not all, of Shakespeare’s plays. For Othello , it is especially important, not only because the interpretation of the play is contested among various approaches — feminist, homosexual, post-colonial, Marxist, Freudian, new historical, and others — but also…
Mike Allen of Reformed Theological Seminary, Orlando, scores some points in his review of The End of Protestantism . He lodges the fair complaint that my rhetoric sometimes outruns my evidence. He argues that more stress on the present reality of the church’s unity deepens the tragedy of division; divisions…
I begin with two observations. First, on any millennial view, the Christian account of history is progressive, moving from the garden to the city. It is eschatological not only in that there is an end, but that the end is a glorified beginning, not merely a return to origins. To…
The church is a new form of polity that erupts into the world as much as the Son of God comes into the world. It’s a real-world political alternative to the polities of the ancient world. It resolves many of the political dilemmas of the ancient world, though not simply…
In my last post , I explained how Baptists really have a “one-ordinance-one sacrament” ecclesiology. I said this: “what Baptists really believe, in modern parlance, is that there is one ordinance (baptism which is a sign or symbol only) and one sacrament (the Lord’s Supper in which feeding upon Jesus…
One of the most extensive and penetrating responses to the Yoder-Hauerwas attack on Constantiniansm is found in Oliver O’Donovan’s Desire of Nations , in a chapter entitled “The Obedience of Rulers.” O’Donovan defines the word “Christendom” as “a historical idea,” specifically “the idea of a professedly Christian secular political order,…
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Prior to the 18th century, writes Mark Evan Bonds, instrumental music was considered inferior to music that accompanied words ( Wordless Rhetoric ). According to the artistic theory developed by Johann Georg Sulzer, “instrumental music . . . can be pleasing and at times moving, but its ‘meaning' is relatively…
Paul's speech on the Areopagus is the second of three programmatic speeches in Acts. Robert Tannehill notes ( The Narrative Unity of Luke-Acts ) that they trace the progression of Paul's mission: “Careful planning is indicated by the fact that we have three different types of speeches addressed to three…
In his now-classic Sources of the Self (143-4), Charles Taylor observes that Descartes is “in many ways profoundly Augustinian: the emphasis on radical reflexivity, the importance of the cogito, the central role of a proof of God's existence which starts from ‘within,' from features of my own ideas, instead of…
Mark Evan Bonds's Absolute Music is a study of 19th-century debates concerning the purity or absoluteness of music, the question of the possibility and/or propriety of segregating music from the rest of the world, music as a sheer aesthetic experience, an experience of pure beauty or simple form. It's a…
Robert Tannehill points out in the second volume of his Narrative Unity of Luke-Acts that Acts 16-19 depicts a recurring “public accusation type-scene.” Prior to chapter 16, the public accusations against Paul and his associates are not highlighted. After chapter 16, they are. “In 16:20-21 Romans accuse the mission of…
Matthew B. Crawford argues in The World Beyond Your Head that things discipline our attention and thus make genuine knowledge of the world possible: “ things that can serve as a kind of authority for us, by way of structuring our attention. The design of things—for example, cars and children’s…
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