Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Understanding Shakespeare’s Biblical references is vital for the interpretation of many, if not all, of Shakespeare’s plays. For Othello , it is especially important, not only because the interpretation of the play is contested among various approaches — feminist, homosexual, post-colonial, Marxist, Freudian, new historical, and others — but also…
Mike Allen of Reformed Theological Seminary, Orlando, scores some points in his review of The End of Protestantism . He lodges the fair complaint that my rhetoric sometimes outruns my evidence. He argues that more stress on the present reality of the church’s unity deepens the tragedy of division; divisions…
I begin with two observations. First, on any millennial view, the Christian account of history is progressive, moving from the garden to the city. It is eschatological not only in that there is an end, but that the end is a glorified beginning, not merely a return to origins. To…
The church is a new form of polity that erupts into the world as much as the Son of God comes into the world. It’s a real-world political alternative to the polities of the ancient world. It resolves many of the political dilemmas of the ancient world, though not simply…
In my last post , I explained how Baptists really have a “one-ordinance-one sacrament” ecclesiology. I said this: “what Baptists really believe, in modern parlance, is that there is one ordinance (baptism which is a sign or symbol only) and one sacrament (the Lord’s Supper in which feeding upon Jesus…
One of the most extensive and penetrating responses to the Yoder-Hauerwas attack on Constantiniansm is found in Oliver O’Donovan’s Desire of Nations , in a chapter entitled “The Obedience of Rulers.” O’Donovan defines the word “Christendom” as “a historical idea,” specifically “the idea of a professedly Christian secular political order,…
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The resurrection was a judicial act, the Father's response to Jesus who “handed himself over to the righteous Judge” (1 Peter 2:23). But what is the verdict? What is the Father saying about Jesus, to Jesus, to us, in the resurrection? Raymund Schwager ( Jesus in the Drama of Salvation…
In his 1956 The Cinema, or The Imaginary Man, Edgar Morin observes that cinema might have been turned to practical uses instead of spectacle. Its fate could have been the fate of the flying machine and the automobile: “All the commentaries in 1896 looked toward the scientific future of the…
In Exodus, Israel moves, as James Jordan has long said, from slavery to Sabbath. That is a beautiful summary of the book, but it must be filled out. The full movement is from slavery to Sinai to Sabbath. Sinai is a way-station, and a necessary one, on the way to…
Jesus was a unifier - of his opponents as much as of his followers. As Raymund Schwager says, Jesus turned “all sections of the Jewish leadership against him,” and this was “a decisive factor in their cooperation” ( Jesus in the Drama of Salvation , 89, quoting R. Pesch). He…
In Raymund Schwager's dramatic analysis of the atonement, Jesus comes proclaiming the kingdom of His good Father, meets rejection and begins to warn of judgment, and then, in a surprising twist, Himself goes to judgment. Jesus' subjection to judgment does not relieve His opponents of judgment. On the contrary, they…
Why did Jesus die on a cross? Thomas asks ( ST III, 46, 4). He gives a variety of answers: Adam sinned at a tree, so Jesus saves at a tree; Jesus suffered in the air to purify the atmosphere; Jesus was elevated in death to show us the way…
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