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Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Matthew

What Tune is Playing? (Matthew 11:1-19)

Matthew’s gospel is a replay of Israel’s history, and this replay occurs at two different levels. On the one hand, Jesus relives Israel’s history and does it faithfully. He is the Son, the true Israel, called out of Egypt, baptized in the sea, tempted in the wilderness. He is the…

by Peter LeithartJanuary 14, 2014
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Theopolis News

Constantine, Christendom, Christian Renewal

Trinity House President Peter Leithart will deliver two lectures at the Eighth Day Institute annual conference in Wichita, Kansas, January 16-18. The conference theme is "Constantine, Christendom, and Christian Renewal," and Dr. Leithart will be lecturing on Constantine. Dr. Leithart will preach on Sunday, January 19, at Trinity Covenant Church…

by Peter LeithartJanuary 13, 2014
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Matthew

Treasures in Matthew's Genealogy, 2

In the previous article, we considered the life of Abraham up to the birth of Isaac and the way in which his life up to that point foreshadows later redemptive history. Our reason for this consideration was at the Gospel of Matthew's behest. He pointed us in that direction. He…

by Kelly KerrJanuary 9, 2014
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Theology

The Trinity and the Nations, 3

The Spirit of Speech The last period in Israel’s history arrives almost from nowhere. The prophets appear unannounced, give short, but earth-shattering messages and then are whisked away by the Spirit (1 Kings 18:12). They do not hold high positions in Israel, but their words give them great political sway.…

by Brian MarrJanuary 7, 2014
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Theopolis News

Nevin Lectures

Trinity House Institute is delighted to announce our first annual series of Nevin Lectures. Timothy George, Dean and Professor of Church History at Beeson Divinity School, will deliver four lectures on “Sacramental Theology from a Baptist Perspective” on February 7-8, 2014 at Trinity Presbyterian Church in Birmingham, Alabama. More information...…

by TheopolisJanuary 2, 2014
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Revelation

Him Whom They Pierced

Revelation 1: 7 states the theme of Revelation. It is a self-standing verse, beginning and ending with “Amen” (the “Amen” at the end of verse 6 should be taken as the beginning of the statement in verse 7). A double Amen as a double witness, and it becomes a threefold…

by Peter LeithartJanuary 1, 2014

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Come to the Feast

Joseph Mangina ( Revelation , 248) summarizes David Barr's ( Tales of the End ) analysis of the parallels between Revelation 22 and the Didache 's depiction of early Christian Eucharist: “both Rev. 22 and the Didache (a) allude to Jesus's descent from David, (b) draw a sharp distinction between…

January 7, 2016
Empire

Unfinished Empire

“‘Empire’ is a grand word,” write John Darwin at the beginning of his Unfinished Empire . On the ground, the reality of empire is “a mass of individuals, a network of lobbies, a mountain of hopes: for careers, fortunes, religious salvation or just physical safety. Empires were not made by…

January 7, 2016

Premillennial Time

Premillennialism - the view that Jesus returns to reign in person at the beginning of a literal one-thousand-year golden age - is often criticized these days for being defeatist, spiritualist, gnostic. It was not always so. As Martin Spence shows in his excellent Heaven on Earth , early critics of…

January 7, 2016

Do Not

Four times in Revelation, John is directly told not to do something. When he falls at the feet of Jesus, Jesus touches him with his right hand and says, “Do not fear” (1:17; Gr. me phobou ). When no one in heaven, earth, or under earth can be found to…

January 6, 2016
Empire

The Missionaries and the Empire

Responding to Eugene McCarraher, John Milbank gives a brief overview of the complex interactions of European imperial powers, the church, and the colonized. Contrary to some popular opinion, “Missionaries were often opponents of military, economic and settler empire as has now been abundantly shown by historians. In a parallel fashion,…

January 6, 2016
Music

The Great American Symphony

When Dvorak's New World Symphony debuted in New York, it was hailed as a masterpiece, the American symphony that American composers had tried, and failed, to produce. Which American composers would those be? Douglas Shadle's Orchestrating the Nation answers the question. It's a question contemporary symphony-goers need answered too. As…

January 6, 2016

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