Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
WHAT IS THE OT PRECURSOR OF THE NT OFFICE OF PASTOR? HOW DOES THE FORMER ILLUMINATE THE LATTER? The first problem to address is: how do we know that there is an office of pastor in the New Testament? 1 Perhaps the way the question is put may permit me…
[This essay was originally published in December, 1981, in The Biblical Educator , a publication of the Institute for Christian Economics, and again with slight revisions in Contra Mundum 7 (Spring, 1993). It is reprinted here as a supplement to my book Creation in Six Days .] In 1979, Dr.…
Anyone seeking to reverse the meaning of this promise needs to come to grips not only with the phrase "God was with the lad" later on, but also with Hagar’s response in 16:13. She worships Yahweh, putting her trust in Him and obeying Him. In fact, Hagar is at the…
Ishmael is the narrator of Melville’s fantasy-romance Moby Dick. Melville takes up the traditional view of Ishmael as a wayward son of Abraham, driven out solely because of the Divine "caprice" of election, an angry man with his hand raised against all other men. He is a fitting "anti-hero," or…
There were five cities at the center of the Canaanite culture in the circle of the Jordan, a place like the Garden of Eden, like the land of Egypt, before it became the Dead Sea at the destruction of the cities (Genesis 13:10). Genesis 14:2 tells us their names: Sodom,…
Meditations by James B. Jordan Genesis 19, the destruction of Sodom and the rescue of Lot, is part two of a story that begins in Genesis 18. These two chapters happen in one 24-hour period: noon and evening in Mamre, and midnight and daybreak in Sodom. God and two angels…
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James Jordan has suggested that the vision of new Jerusalem (Revelation 21:9-22:5) is arranged as a chiastic recasting of the creation week: A. Day 1: Light in the city, 21:10-11 B. Day 2: Boundaries and measurements of the city, 21:12-17 C. Day 3: Materials of the city, 21:18-21 D. Day…
The verb “show” ( deiknuo ) occurs eight times in Revelation, and the eight uses fall into a neat pattern. Twice at the beginning (1:1; 4:1) and twice at the end (22:6, 8), the verb is used with a generic object. God shows “things which must shortly take place” (1:1;…
In an essay on “barriers and bridges” in American religion, Stephen Warner emphasizes the role of music in building bridges, forging solidarity without requiring assent to a common set of propositions. He offers a florilegium of quotations from various scholars: “At an emotional level, there is something ‘deeper' about hearing…
William H. McNeill's Keeping Together in Time explores the role of “emotional bonding through rhythmic muscular movement” in history (52). The significance of the phenomenon occurred to him during military training in 1941: “A sense of pervasive movement in unison is what I recall; more specifically, strange sense of personal…
The final chapter of the Bible (Revelation 22:6-21) is a rapid series of speeches and dialogues, structured in fourfold parallelism. Each new section introduces a new speaker or speech with some form of “he said.” The speakers move from an angel to Jesus to the Spirit and bride. The chapter…
In a 2007 Bibliotheca Sacra article, Mark Hitchcock examines various theories about the identity of the seven heads of the beast in Revelation 17:9-11. It's been proposed that the number seven is purely symbolic of fulness, and that the heads are not to be identified with any historical characters. Hitchcock's…
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