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Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Biblical Horizons

Twelve Fundamental Avenues of Revelation, Part 2

Theophanic revelation is historically progressive, or eschatological, in character. First of all, in Genesis 1:2, the Spirit appeared inside the creation, sent by the Father. After the creation of man, the Spirit worked and works with humanity to bring us to maturity, from Daughter to Bride to fruitful Mother. He…

by James B. JordanFebruary 28, 1997
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Biblical Studies

The Calf of the Purification Offering

On the eighth day of the rite of "filling the hand," Aaron began his service at the altar. His first offering was a "calf" (Heb. `egel ), which served as a purification offering for himself and (apparently) his household (Leviticus 9:2, 8). This is striking for a couple of reasons.…

by Peter LeithartFebruary 27, 1997
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Exodus

A Blossom of Yahweh’s Garden

One of the distinctive items of the high priest’s clothing was the "golden plate" inscribed with the words "Holy to Yahweh" (Exodus 28:36-38). The word translated as "plate" is tsits , which literally means "flower." The verbal and noun forms are both used in Numbers 17:8, which describes Aaron’s rod…

by Peter LeithartFebruary 27, 1997
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Biblical Horizons

Squaring Off and Crossing Up

The square, rectangle, and cross shapes appear all over the sanctuaries God reveals in the Bible: Tabernacle, Solomon’s Temple, Ezekiel’s Temple, New Jerusalem. One thing that can be said right away about these designs, and the occasional perfect circle (the lavers), is that they do not occur in nature. They…

by James B. JordanJanuary 28, 1997
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Biblical Studies

In the Fish: The Church as Tomb

"For just as Jonah was three days and three nights in the belly of the sea-monster, so will the Son of Man be three days and three nights in the heart of the earth" (Matthew 12:40). Some reflections on Jonah’s Big Fish have led to the following essay. Let me…

by James B. JordanJanuary 28, 1997
Hermeneutics

God Most High

Citing Melchizedek in Genesis 14:18-20, James Jordan has written that "the name of God in use among the nations was God Most High’" (Hebrew, `el `elyon ; in Through New Eyes , p. 176). In addition to Melchizedek, one could cite the example of Balaam, who invokes the Lord both…

by Peter LeithartJanuary 27, 1997

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Life in a Medieval Parish

“Parochial Christianity,” writes Mark Greengrass ( Christendom Destroyed ), “was more than a religious experience. It was a set of rights to benefices which were the key to monopoly revenues (the tithe, collected in various forms) in which patrons, collators and clergymen all had interests. And behind every parish church…

June 5, 2015

Crusoe Errant

Robinson Crusoe suffers enormous hardship before he ever gets to his island, and the hardship seems disproportionate to the wrong he commits. Is running off to sea against his father's wishes such an enormity? In his classic study of Defoe and Spiritual Autobiography , GA Starr explains that Robinson “defies…

June 4, 2015

Restorative Justice

Howard Zehr makes clear in his Little Book of Restorative Justice that “restorative justice” isn't a panacea. It doesn't pretend to replace the the legal system, nor is it necessarily opposed to retribution (12-13). Primarily, restorative justice is an effort to put the principle actors back at the center of…

June 4, 2015

Gift of Work

RJ Snell's Acedia is about acedia. But before he gets to his extended analysis of that vice, he offers a superb, brilliantly brief, ontology and anthropology, drawing on the resources of Trinitarian theology and the book of Genesis. Among other things, Snell emphasizes the gift that is human work, a…

June 4, 2015

On a cloud

John sees one like a son of man on a cloud, holding a sickle (Revelation 14:14). We assume that He's traveling down to reap the harvest, but is that correct? The original for this son-cloud combination if Daniel 7:13, where it is clear that the Son of Man comes up…

June 4, 2015

Ideological art

D avid Goldman ( It's Not the End of the World, It's Just the End of You ) argues that “modern art is ideological, as its proponents are the first to admit. It was the ideologues, namely the critics, who made the reputation of the abstract impressionists, the most famous…

June 3, 2015

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