Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
Many years ago, while perusing Janice Anderson’s revised doctoral dissertation, Matthew’s Narrative Web: Over, and Over, and Over again , I was impressed by her attention to literary structures of repetition within and across Matthew’s Gospel. 1 Her research, in part, nudged me closer toward my present conviction that Matthew…
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
“Like a lily among the thorns, so is my love among the maidens… My beloved is mine and I am his; he pastures among the lilies.” Song 2:2, 16 In chapter two of the Song of Solomon, the Beloved compares his Love to a lily among thorns. The language of…
Introduction From the very beginning, angels and animals have played mediating roles between God and Man. Just as the World was made three-tiered (Heaven, Earth, Deep), so the creatures were made (Angels, Men, Animals). Before Christ came to build the permanent bridge across the chasm between God and Man, various…
Matthew 13, the third major discourse of the apostle’s gospel, is comprised almost entirely of parables. While it may seem that all the parables serve the same purpose in fulfilling the prophet Isaiah (Matthew 13:14), the parables found in verses 44–52, at the very least, function outside that purpose. This…
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Paul Griffiths ( Decreation ) ably defends a minority position in the history of theology, namely, that angels are not bodiless, though they are “immaterial.” They are “living creatures with discarnate bodies of energy” (125). To defend this point, he offers this brilliant little analysis of the meaning of “matter”…
The final sequence of Revelation begins with the fourth “in Spirit” vision of John (21:9-10). From that point to the end of the book, the “Lamb” is mentioned 7 times (21:9, 14, 22, 23, 27; 22:1, 3). The Lamb is entering His Sabbath, the wedding feast with His Bridal city.…
Elijah's life history tracks closely with that of Moses. When he appears on the scene, he curses Israel with drought, then flees the land (1 Kings 17). Like Moses after he killed the Egyptian, he goes out from his people and lives among Gentiles. (Elijah's sojourn in Zarephath also linked…
When the seventh trumpet blows, heaven opens and the ark of the covenant appears (Revelation 11:19). We're in the Most Holy Place. Before the ark-throne are two heavenly signs - a laboring woman and a dragon. It's Zechariah 3, with Satan and the priest Joshua before the throne, Satan accusing.…
Following a long tradition, Paul Griffiths says that creatures who come from nothing are constantly inclined to return to the nihil . We “remain uneasily in being, hovering over the void from which we came” ( Decreation , 142). Venerable as this is, it's misconceived. For starters we can ask…
As Andrei Zorin argues in a TLS piece this week, Tolstoy intended to defy novelistic convention in writing War and Peace . His book was not a novel, and Tolstoy refused the easy resolutions of the novel genre. Zorin agrees that there is something to this: “In one of the…
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