Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Thus says the Lord: “A voice is heard in Ramah, lamentation and bitter weeping. Rachel is weeping for her children; she refuses to be comforted for her children, because they are no more” (Jer 31:15). The Night of the Hunter belongs on every Christian’s Christmas list. My family has even…
One important part of Jesus's birth narrative is the presence of angels. The angel Gabriel appeared to the Virgin Mary, announcing that she would bear a son. And then, on the night Jesus was born, a whole host of angels appeared to the shepherds. Angels are mysterious creatures to us.…
I was settled nicely into my chair and listening to the conversation in an undergrad religion seminar, my last required course to graduate. Though a few Christians sat scattered around the room, the course itself was dedicated to poking holes in traditional understandings of the Bible: our readings deconstructed notions…
God’s symbols belong to Him and to His people. They are constantly at work in the world, including the world of film, music, painting, architecture, and other artforms. You cannot escape God’s symbols or the meaning He has woven into the created order. Artists use and borrow God’s symbols, whether…
For centuries, Christians identified Israel in the Old Testament as a single, literal ethnic group, often called “the Jews.” Even supersessionists – those who believed the Church superseded Israel – assumed the clear-cut, technical definition of “Israel” in the Bible is the ethnic group. However, a deeper dive into Genesis,…
Misreading Intent In the opening verses of Matthew 11, the reader is confronted immediately by John the baptizer who has been imprisoned since 4:12. John poses a question to Jesus, inquiring from prison as to whether or not he is Israel’s awaited Messiah or if they should anticipate another: “Are…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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