Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
D. G. Hart’s The Lost Soul of American Protestantism vividly clarifies the differences between evangelical and Confessional Protestantism. In part the book is a manifesto for historians of American religion. Hart argues that historians of American Protestantism have operated with a simplistic binary contrast of evangelical/conservative v. liberal/progressive. At best,…
Dostoyevsky’s novel, The Idiot , like his other major works, is a complex evaluation of the human condition—a juxtaposition of the innate goodness and innate evil that resides within every human heart. There is much one can say about The Idiot . I am no specialist of Russian literature, or…
At risk of violating some secret handshake agreement on some important nuance to “natural law,” I will sum up what I understand in my own words. As far as I can tell natural law is supposed to be an area of knowledge that all people should be able to agree…
The first installment of this article may be found here . The Image of Man This brings us to a substitutionary atonement which we do understand, the fulfilment of the cruciform Tabernacle in the cross of Christ. Although Jesus’ execution was Physical and Social, it was primarily Personal . Beginning…
The first two essays in this series drew attention to the structure of the first part of Macbeth and to the way Shakespeare incorporates the Garden of Eden into his story. Macbeth , we saw, is a temptation story in which, compared to the Biblical story, the temptation itself is…
Revelation 19:6-9 Then I heard something like the voice of a great multitude and like the sound of many waters and like the sound of mighty peals of thunder, saying, “Hallelujah! For theLord our God, the Almighty, reigns. Let us rejoice and be glad and give the glory to Him,…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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