Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
One reason readers assume Paul is trying to prove that all human beings are sinful is that they understand him to be arguing that no one can keep the law. That means, they think, his opponents must believe that human nature is potentially sinless. Taking Paul’s statement that, if you…
[Note: This post was written prior to our name changing to Theopolis Institute.] What is Trinity House for? Three things: We aim to advance the reformation of the church and, through the church, to promote the renewal of culture; in furthering reformation, we aspire to be a site of fraternal,…
This is the third in a series of studies of the Third Word, and especially of Deuteronomy 14. In 1979 Stephen Kaufman penned a groundbreaking essay on Deuteronomy, arguing that it was a meticulously structured and carefully composed book. In his view, chapters 12 to 26 in particular follow the…
A large mistake is made in understanding Romans if one assumes that Paul is concerned with proving the fact that no one can ever live without sin—or that all attempts at obeying God’s commands are at least tainted with human sinfulness. The first problem with such an assumption is that…
This is the second in a series of studies on the Third Word, and especially on the food laws of Deuteronomy 14. In the second part of this series, I argue that Moses’ reworking of the Ten Words in Deuteronomy 5 includes adding nuance to the Third Word. This prepares…
Recent months have brought a lively discussion of Christian participation in the culture war. On the one hand, the pro-life movement appears to be making some slow progress on the abortion issue. The trial of abortionist and serial murderer Kermit Gosnell has the potential to awaken those who are nominally…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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