Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The 666 talents of gold are worth an awful lot, not just in terms of money but in terms of theological meaning–at least worth a lot more than most modern Evangelical commentators would think. In Revelation 13:18 we are told that the number of the beast is a number “of…
There is a debate going on between professing Bible-believers about the meaning of Genesis One and the six "days" recorded therein. Is the cosmos about six thousand years old or is it many billions of years old? Was the universe six days old when human life came into existence or…
Understanding John the Baptist in Light of Biblical Theology Anyone who has read Geerhardus Vos’ Biblical Theology cannot help but recognize its immense value to those wanting to better understand Scripture. Nevertheless, we would dishonor Vos if we did not seek to go beyond him once he has placed us…
John Chrysostom’s Commitment, Communication, & Conception of the Pastoral Office (Completed in December 5, 1996, in fulfillment of the requirements for the J. R. Wilson Preaching lectures delivered by Dr. Robert S. Rayburn) In Antioch and then in Constantinople, John Chrysostom grew in wisdom and stature with men and God…
This kind of language is revelatory in a particular way, different from ordinary language. It reveals man as the image of God, as the ruler of creation, as having authority over other persons in various ways, etc. It is the particular kind of language used by rulers as they rule,…
We continue our analysis of John Sailhamer’s book *Genesis Unbound: A Provocative New Look at the Creation Account* (Multnomah Books, 1996), which argues that Genesis 1:2ff. is not about the creation of the whole world, but about the preparation of the Land of Eden, which is also the Promised Land.…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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